African American Heritage Month

The Crenshaw Eat and See Tour explores South LA’s cultural and culinary highlights. Begin with a scenic drive through historic neighborhoods, including Crenshaw, Leimert Park, Hyde Park, and View Park-Windsor Hills. Enjoy brunch at Dulan’s, shop at Leimert Park Village and Afrocity Marketplace, indulge in a wine experience at Adams Wine Shop, and conclude with a visit to the Reparations Book Club.

Stream films on Kanopy or Hoopla, both on-demand streaming film services. They both have an extensive library of African American cinema and documentaries that are free with your Los Angeles City or Los Angeles County library card.

kanopy.com/en/category/40898?frontend=kui

 hoopladigital.com

The Los Angeles Public Library and the Los Angeles County Library cards give you access to many resources, including two amazing online music collections. Freegal features unlimited songs, and Hoopla lets you check out full albums. These two databases have endless amounts of music from the African and African American diaspora to explore, from famous hits to underground sounds.

hoopladigital.com/search?q=African+American+music&scope=everything&type=direct&kindId=6

freegalmusic.com

An in-depth installation of Jean-Michel Basquiat features all 13 works by the artist in the Broad collection, including three works on view for the first time at The Broad: Santo 2, Deaf, and Wicker.

Tuesdays, Wednesdays & Fridays – 11:00 a.m. – 5:00 p.m., Thursdays – 11:00 a.m. – 8:00 p.m.,
Saturdays and Sundays 10:00 a.m. – 6:00 p.m.

Michael Jackson’s fashion sense has always been iconic. Our display of original artifacts on loan from the Michael Jackson estate showcases memorable pieces, including beaded jackets Jackson wore during the Jacksons’ 1984 Victory tour. Also featured is our original short film about making Jackson’s Thriller music video.

Sundays & Mondays, Wednesdays – Fridays 11:00 noon – 5:00 p.m.
Saturdays: 10:00 a.m. – 6:00 p.m.

Explore 30 years of music history, from blues, folk, and rock ‘n’ roll to hip-hop and alternative music, through the lens of photographer Jay Blakesberg. Featuring more than 150 photographs shot on film between 1978 and 2008, Retro Blakesberg captures three decades of pivotal moments in music history. The dynamic exhibit showcases multiple genres and iconic musicians, ranging from Snoop Dogg, B-40, and Bob Dylan to PJ Harvey, Pearl Jam, and the Grateful Dead.

Imagining Black Diasporas: 21st-Century Art and Poetics fi nds aesthetic connections among 60 artists working in Africa, Europe, and the Americas. The exhibition and its catalog are among the first to examine nearly a quarter century of production by Black artists. The project debuts new acquisitions for LACMA and expands the Pan-African exhibition canon, historically focused on the Black Atlantic, by showcasing artists working along the Pacific Rim.

Luther Vandross: Artistry and Elegance celebrates the extraordinary life and legacy of Luther Vandross, an eight-time Grammy winner, revered songwriter, arranger, producer, performer, and one of the most gifted vocalists in music history. The exhibit offers an intimate glimpse into Vandross’ creative process and showcases his ornate stage wardrobe, exclusive performance footage from his popular tours, and a never-before-heard recording of him in the studio.

The exhibition Alice Coltrane, Monument Eternal is inspired by the life and legacy of jazz musician, devotional leader, and mother Alice Coltrane. The title takes its name from her book Monument Eternal (1977), which reflected her newfound spiritual beliefs, the loss of her husband, the saxophonist John Coltrane, and the path to healing and self-discovery. The exhibition presents work by contemporary American artists paired with ephemera from Coltrane’s personal archive.

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.