African American Heritage Month

America’s suburbs are undergoing significant transformation. The traditional view of suburbs as predominantly white, middle-class areas no longer reflects reality. Today, they encompass a diverse mix of residents—rich and poor, Black, Latino, Asian, immigrants, and the unhoused. This shift is especially evident in Los Angeles, where many suburbs have become majority-minority. The New Suburbia explores the experiences of Asian Americans, Black Americans, and Latinos who moved into formerly exclusive neighborhoods.

In 1759, the Diamond sailed to unspecified ports in the Americas, Jamaica, Panama, Colombia, and more unspecified destinations in what was then known as the Spanish Caribbean, embarking and disembarking human cargo as part of the slave trade. The Diamond serves as an entry point into a discussion of the movement of Africans and African-descended captives to the Pacific Ocean and Caribbean Sea-bordered regions, the ocean memory of those human cargo lost to the voyages through the Americas, and how that loss reverberates into the present.

Stream films on Kanopy or Hoopla, both on-demand streaming film services. They both have an extensive library of African American cinema and documentaries that are free with your Los Angeles City or Los Angeles County library card.

kanopy.com/en/category/40898?frontend=kui

 hoopladigital.com

The Los Angeles Public Library and the Los Angeles County Library cards give you access to many resources, including two amazing online music collections. Freegal features unlimited songs, and Hoopla lets you check out full albums. These two databases have endless amounts of music from the African and African American diaspora to explore, from famous hits to underground sounds.

hoopladigital.com/search?q=African+American+music&scope=everything&type=direct&kindId=6

freegalmusic.com

This in-person workshop will guide you through the Tenant Power Toolkit, an online resource that helps tenants create an answer (a legal response to their case) that raises the defenses they might have against the eviction. All attendees must bring their Summons and Complaint-Unlawful Detainer to the workshop. Tenants can get one-on-one assistance in both English and Spanish.

An in-depth installation of Jean-Michel Basquiat features all 13 works by the artist in the Broad collection, including three works on view for the first time at The Broad: Santo 2, Deaf, and Wicker.

Tuesdays, Wednesdays & Fridays – 11:00 a.m. – 5:00 p.m., Thursdays – 11:00 a.m. – 8:00 p.m.,
Saturdays and Sundays 10:00 a.m. – 6:00 p.m.

Imagining Black Diasporas: 21st-Century Art and Poetics fi nds aesthetic connections among 60 artists working in Africa, Europe, and the Americas. The exhibition and its catalog are among the first to examine nearly a quarter century of production by Black artists. The project debuts new acquisitions for LACMA and expands the Pan-African exhibition canon, historically focused on the Black Atlantic, by showcasing artists working along the Pacific Rim.

The exhibition Alice Coltrane, Monument Eternal is inspired by the life and legacy of jazz musician, devotional leader, and mother Alice Coltrane. The title takes its name from her book Monument Eternal (1977), which reflected her newfound spiritual beliefs, the loss of her husband, the saxophonist John Coltrane, and the path to healing and self-discovery. The exhibition presents work by contemporary American artists paired with ephemera from Coltrane’s personal archive.

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

This installation features some of the many forms incarceration has taken in the American West over time, in conversation with a new photo series taken in a California state prison by fine art photographer Pep Williams. Located in the jail cell area of the Autry’s firearms galleries, the installation brings past and present into dialogue.

Adults – $14, Students (with current ID) and Seniors (60+) – $10, Children (3–12) – $6

Tuesdays – Fridays 10:00 a.m. – 4:00 p.m., Saturdays – Sundays 10:00 a.m. – 5:00 p.m.