Visual Arts

Justice in our Barrios, Paz al Mundo: A Moratorium on War and Carrying the Legacy Forward, the inaugural exhibition of the Lincoln Heights Youth Arts Center (LHYAC). The exhibition features the personal archive of Rosalio Muñoz, peace activist, social justice organizer, youth mentor with roots in Lincoln Heights and Highland Park, and a Co-Founder of the Chicano Moratorium. Muñoz life’s work underscores the importance of asking ourselves how we can continue building people power and agency and that, together, we can bring about the changes needed in our world today. The exhibition is the culmination of a nine-week summer youth internship that the Center recognized as the Summer 2024 Youth Leaders.

The opening reception of Justice in our Barrios, Paz al Mundo: A Moratorium on War and Carrying the Legacy Forward takes place on Saturday, September 21, 2024, from 4:00 to 7:00 p.m. The event will be held at El Pueblo de Lincoln Heights Art Gallery at Lincoln Heights Youth Arts Center, located at 2911 Altura Street, Los Angeles, CA 90031. The opening reception and gallery are free and open for all to attend.

Rosalio Muñoz’s knowledge, lived experience, and personal archive ephemera including photographs, newspaper and magazine articles, campaign materials, artworks, and government documents provide the cornerstone from which this exhibition chronicles the historiography of the growing presence and empowerment of Mexican American people starting in the 1920s. Justice in our Barrios emphasizes the Chicano Moratorium’s multigenerational, intercultural, and national grassroots mobilization efforts whose anti-war 2 mission played a critical role in bringing an end to the Vietnam War. Further, it highlights the Chicano Movement’s priorities and accomplishments that took shape and continued after the post-war era towards creating an improved quality of life for all people, particularly the poor and undocumented in Los Angeles.

In addition to the historical timeline, the exhibition showcases contemporary works of art including painting, drawing, photography, and mixed media, that embody peace, justice, and solidarity. The contemporary collection is of emerging and established artists, from LHYAC visual art students to renowned artivists, exemplifying the vibrant spirit and rich history of Los Angeles’s Chicanx resilience and resistance, and reflect the Chicano Movement’s legacy and relevance to the global conflicts of today. Artworks were selected from an Open Call for Art and carefully chosen by the Youth Leaders themselves.

Featured artists include Rafael Cardenas, Colorsoner, Dare to Struggle, Hailey Deniz, Emma Deniz, Jennaya Dunlap, Paz Fernandez, Mina Ho Ferrante, Yulu Fuentes, Bobby Gordon, Kalli Arte Collective, Lilia “Liliflor” Ramirez, Pola Lopez, Tatiana Luboviski-Acosta commissioned by Coyotl + Macehualli, Arturo Meza II, Andrea “Mextica” Ramirez, Josiah O’ Balles, Dara Oum, Sol Itzel Ramirez, Melanny Rivera & Brenda Ceja, Re:sister, Joanna S., and Miki Yokoyama.

The contemporary artworks will be on display until December 14, 2024, and the historical collection will continue through February 2025. Gallery hours are Monday through Friday from 10:00 a.m. to 3:00 p.m., and Saturdays from 10:00 a.m. to 1:00 p.m. Information on public programming is forthcoming.

In an afternoon organized by the Asian American Pacific Islander Arts Network, ARTNOIR, and The Here And There Collective, artists, art historians, and curators discuss the ways that their identity shapes their lives and creative practices. Panelists address how artists of various diasporas navigate existing systems and band together for cultural code switching, when excluded from the art market.

In an afternoon organized by the Asian American Pacific Islander Arts Network, ARTNOIR, and The Here And There Collective, artists, art historians, and curators discuss the ways that their identity shapes their lives and creative practices. Panelists address how artists of various diasporas navigate existing systems and band together for cultural code switching, when excluded from the art market.