Exhibition

Justice in our Barrios, Paz al Mundo: A Moratorium on War and Carrying the Legacy Forward, the inaugural exhibition of the Lincoln Heights Youth Arts Center (LHYAC). The exhibition features the personal archive of Rosalio Muñoz, peace activist, social justice organizer, youth mentor with roots in Lincoln Heights and Highland Park, and a Co-Founder of the Chicano Moratorium. Muñoz life’s work underscores the importance of asking ourselves how we can continue building people power and agency and that, together, we can bring about the changes needed in our world today. The exhibition is the culmination of a nine-week summer youth internship that the Center recognized as the Summer 2024 Youth Leaders.

The opening reception of Justice in our Barrios, Paz al Mundo: A Moratorium on War and Carrying the Legacy Forward takes place on Saturday, September 21, 2024, from 4:00 to 7:00 p.m. The event will be held at El Pueblo de Lincoln Heights Art Gallery at Lincoln Heights Youth Arts Center, located at 2911 Altura Street, Los Angeles, CA 90031. The opening reception and gallery are free and open for all to attend.

Rosalio Muñoz’s knowledge, lived experience, and personal archive ephemera including photographs, newspaper and magazine articles, campaign materials, artworks, and government documents provide the cornerstone from which this exhibition chronicles the historiography of the growing presence and empowerment of Mexican American people starting in the 1920s. Justice in our Barrios emphasizes the Chicano Moratorium’s multigenerational, intercultural, and national grassroots mobilization efforts whose anti-war 2 mission played a critical role in bringing an end to the Vietnam War. Further, it highlights the Chicano Movement’s priorities and accomplishments that took shape and continued after the post-war era towards creating an improved quality of life for all people, particularly the poor and undocumented in Los Angeles.

In addition to the historical timeline, the exhibition showcases contemporary works of art including painting, drawing, photography, and mixed media, that embody peace, justice, and solidarity. The contemporary collection is of emerging and established artists, from LHYAC visual art students to renowned artivists, exemplifying the vibrant spirit and rich history of Los Angeles’s Chicanx resilience and resistance, and reflect the Chicano Movement’s legacy and relevance to the global conflicts of today. Artworks were selected from an Open Call for Art and carefully chosen by the Youth Leaders themselves.

Featured artists include Rafael Cardenas, Colorsoner, Dare to Struggle, Hailey Deniz, Emma Deniz, Jennaya Dunlap, Paz Fernandez, Mina Ho Ferrante, Yulu Fuentes, Bobby Gordon, Kalli Arte Collective, Lilia “Liliflor” Ramirez, Pola Lopez, Tatiana Luboviski-Acosta commissioned by Coyotl + Macehualli, Arturo Meza II, Andrea “Mextica” Ramirez, Josiah O’ Balles, Dara Oum, Sol Itzel Ramirez, Melanny Rivera & Brenda Ceja, Re:sister, Joanna S., and Miki Yokoyama.

The contemporary artworks will be on display until December 14, 2024, and the historical collection will continue through February 2025. Gallery hours are Monday through Friday from 10:00 a.m. to 3:00 p.m., and Saturdays from 10:00 a.m. to 1:00 p.m. Information on public programming is forthcoming.

Fostering Photovoice: a photo exhibition about the foster youth experience, features photographs that depict identity, family, and the foster care system by six LA based foster youth artists. Join us for our Closing Reception on March 8, 2025. Stay tuned for upcoming details.

Fostering Photovoice is a group photography exhibition that reflects the lives and experiences of youth impacted by foster care. The project was conceived by a photovoice research collective that included six artists—all former foster youths between the ages of 18 and 25 who reside in Los Angeles County. Several UCLA undergraduate and graduate students were involved, among them, participants who have had lived experience in foster care, or had expertise in using the arts-based empowerment method called photovoice for research and social policy.

The collective came together over 7 weeks during the summer of 2023. The exhibition is organized by prompts and considers the differences in the views of each artist. It includes reflections on who the youth are, how they think about family, and how they would have liked the system to respond to and support their needs.

The series invites the viewer to beliefs about foster youth and the foster care system, including any biases they may have. It is also an opportunity to reflect on how to best support foster youth who enter state care through no fault of their own—both as children and as they transition to adulthood.

The Intra-American Slave Trade Database is a resource for the study of the African diaspora in the Americas. Launched online in 2018, it documents more than 27,000 voyages that trafficked enslaved Africans and African-descended people from one part of the Americas to another from 1550 to 1860. This database strengthens research throughout the University of California system on the history and impact of the slave trade and slavery in the Americas by connecting scholarship on the Atlantic and Pacific Worlds.

This in-person workshop will guide you through the Tenant Power Toolkit, an online resource that helps tenants create an answer (a legal response to their case) that raises the defenses they might have against the eviction. All attendees must bring their Summons and Complaint-Unlawful Detainer to the workshop. Tenants can get one-on-one assistance in both English and Spanish.

This December, the William Grant Still Arts Center proudly presents its 44th Annual Black Doll Show, titled “in need of good folk… ‘MAGIC FOLK LIKE US’,” curated by the visionary Aiysha Sinclair. This year’s theme invites visitors to journey through a magical world where Black folklore and fairytales are celebrated, woven together through the power of storytelling and art. The show is an homage to the oral tradition and its limitless possibilities, seen through the lens of Black artists and doll makers.

Several artists and staff, who have been essential in producing the William Grant Still Arts Center Black Doll Show, were recently featured in Netflix’s acclaimed documentary, “Black Barbie.” Monica Bailey shared her inspiring personal journey toward self-love through dolls, while Amitis Motevalli and Billie Green conveyed significant historical Black doll moments. Also included in the documentary was Stacy McBride-Irby, who participated in our 2018 Black Doll Show, reflecting on her time at Barbie and her decision to develop her own Black doll line. These powerful voices underscore the deep connection between Black dolls, identity, and self-empowerment. In this 44th year, the Black Doll Show remains as relevant as ever.

This year’s theme, “in need of good folk… MAGIC FOLK LIKE US,” taps into that same empowering spirit, reminding us that within the realm of imagination, we are limitless. Aiysha Sinclair, the Los Angeles-based Children’s Book Author, Performer, and Doll Artist curating this year’s show, is known for her exploration of the magic and wonder within the African diaspora. Her work, which spans across folk tales, fairy tales, and folklore, invites visitors to reconnect with their roots and explore the cultural richness that Black storytelling has offered the world.

“These stories are haunting as well as uplifting,” says Sinclair. “I don’t think I’ll ever tire of learning from them. It is an honor to share my stories, and those of my ancestors, whether through writing, mixed media, or creating dolls.”

Celebrating Black Folklore and Tradition

At the heart of this year’s exhibit is a celebration of the countless stories that Black people have passed down through the ages—stories of tricksters, supernatural beings, heroic women, and enslaved ancestors. This is a space where imagination and memory collide, and where dolls become more than just objects—they become storytellers, sharing the influences of villages, families, and community dynamics. Like a griot passing tales from one generation to the next, the artists in this year’s Black Doll Show continue a tradition of storytelling that transcends time and place. The exhibit will showcase dolls and mixed media pieces that bring to life Black folklore, reflecting the joy, resilience, and spirit of Black culture.

The Legacy of the Black Doll Show and Its Connection to Civil Rights

The Black Doll Show began in response to the 1940s doll tests conducted by Mamie and Kenneth Clark, which revealed how systemic racism impacted Black children’s self-esteem and led them to prefer white dolls. This became pivotal evidence in civil rights lawsuits, including the landmark Brown v. Board of Education case. To counteract these negative self-images, artists Cecil and Miriam Fergerson started the Black Doll Show in the 1980s, bringing together handmade Black dolls to celebrate the beauty and cultural significance of Black identity.

Through this tradition, the William Grant Still Arts Center has continued to create a space for Black artists to reshape narratives and redefine self-worth. The presence of doll artists like Monica Bailey, Amitis Motevalli, and Billie Green in “Black Barbie” speaks to the deep importance of this work. Their reflections in the documentary on how Black dolls have shaped their own lives are echoed in this year’s show, where the tradition of using dolls to convey cultural and personal stories continues.

An Invitation to Experience Magic and History

We invite all who believe in the power of storytelling and Black cultural heritage to join us for this year’s Black Doll Show. Whether you are a longtime fan of the exhibit or newly inspired by the stories shared in “Black Barbie,” the magic of this year’s theme, “in need of good folk… MAGIC FOLK LIKE US,” will speak to your heart.

This is a celebration not just of art, but of identity, history, and community—an affirmation that the stories of Black people, whether told through dolls, folklore, or film, have the power to inspire, uplift, and transform.

Event Details:

Opening Reception: December 14, 2024, from 3:00 – 6:00 p.m.
Exhibition Dates: December 14, 2024 – February 15th, 2025

Doll Workshops

• December 21, 2024
• January 11, 2025
• February 8, 2025

Additional Events During the Black Doll Show Run:

• Panel Discussion Jan 18
• Stories & Books (Zine Making Workshop) Feb 1
• Tea Time (drink tea with your dolls) closing Feb 15

Together, let us celebrate the magic of our stories and the good folk who continue to tell them.

An in-depth installation of Jean-Michel Basquiat features all 13 works by the artist in the Broad collection, including three works on view for the first time at The Broad: Santo 2, Deaf, and Wicker.

Tuesdays, Wednesdays & Fridays – 11:00 a.m. – 5:00 p.m., Thursdays – 11:00 a.m. – 8:00 p.m.,
Saturdays and Sundays 10:00 a.m. – 6:00 p.m.