Artist Event

Angels Gate Cultural Center (AGCC) presents Displacing Structures, an exhibition guest curated by local artist and CSULB Professor Fafnir Adamites. In Displacing Structures, traditional methods of weaving, netting, lacemaking, and basketry techniques are expanded upon to reveal and embrace personal and shared experiences, queer bodies and the tensions between structure and deviation.

Displacing Structures includes works by Fafnir Adamites, Molly Haynes, José Santiago Pérez, Jade Yumang, and Tomorrow, Asteroid x Jeanne Medina Le.

Displacing Structures is focused on artists who create with materials or techniques that are traditionally within the field of fiber or textile art. These five contemporary artists utilize both traditional and unconventional materials to reveal forms that hold, frame, expand and otherwise make room for the permeable edges. The grid structure found within weaving and netting acts as a stand-in for the societal, political, and binary-heavy structures around us. The artists in Displacing Structures disrupt these strict edges of the grid, instead using it as a visual framework to investigate place, identity and belonging. Languages, bodies, desires, abilities and anomalies of all kinds are given space within their practice to breathe and thrive. Straying from pattern allows room for critique of power structures, imposed binaries and systems of oppression.

Whether permeable or opaque, obvious or veiled, all of the artists included in Displacing Structures push against borders and defy fixed perspectives by examining personal and collective experiences. The artists use thoughtful intention to manipulate, activate and engage materials to create portals, fresh topographies and defiant patterns that offer respite for anyone seeking a break in the grid.

Displacing Structures, alongside UPEND Female Experience and Activism, will be on view in the gallery through August 17th, 2024 with free public visiting hours Thursdays through Saturdays, from 10am to 4pm. Please note that pets are not allowed inside our buildings. For questions, please email gallery@angelsgateart.org.

This exhibition is supported by the California Natural Resources Agency for the Museum Grant Program under the California Cultural and Historical Endowment, the Department of Cultural Affairs, City of Los Angeles, and the Pasadena Art Alliance.

Visit angelsgateart.org to learn more.

Image: Jade Yumang, Obedience Training (detail), 2023. Discharged dye, cotton, sublimation dye, mercerized cotton yarn, fiberfill, cotton piping cord, and bamboo.

Angels Gate Cultural Center (AGCC) presents Displacing Structures, an exhibition guest curated by local artist and CSULB Professor Fafnir Adamites. In Displacing Structures, traditional methods of weaving, netting, lacemaking, and basketry techniques are expanded upon to reveal and embrace personal and shared experiences, queer bodies and the tensions between structure and deviation.

Displacing Structures includes works by Fafnir Adamites, Molly Haynes, José Santiago Pérez, Jade Yumang, and Tomorrow, Asteroid x Jeanne Medina Le.

Displacing Structures is focused on artists who create with materials or techniques that are traditionally within the field of fiber or textile art. These five contemporary artists utilize both traditional and unconventional materials to reveal forms that hold, frame, expand and otherwise make room for the permeable edges. The grid structure found within weaving and netting acts as a stand-in for the societal, political, and binary-heavy structures around us. The artists in Displacing Structures disrupt these strict edges of the grid, instead using it as a visual framework to investigate place, identity and belonging. Languages, bodies, desires, abilities and anomalies of all kinds are given space within their practice to breathe and thrive. Straying from pattern allows room for critique of power structures, imposed binaries and systems of oppression.

Whether permeable or opaque, obvious or veiled, all of the artists included in Displacing Structures push against borders and defy fixed perspectives by examining personal and collective experiences. The artists use thoughtful intention to manipulate, activate and engage materials to create portals, fresh topographies and defiant patterns that offer respite for anyone seeking a break in the grid.

Displacing Structures, alongside UPEND Female Experience and Activism, will be on view in the gallery through August 17th, 2024 with free public visiting hours Thursdays through Saturdays, from 10am to 4pm. Please note that pets are not allowed inside our buildings. For questions, please email gallery@angelsgateart.org.

This exhibition is supported by the California Natural Resources Agency for the Museum Grant Program under the California Cultural and Historical Endowment, the Department of Cultural Affairs, City of Los Angeles, and the Pasadena Art Alliance.

Visit angelsgateart.org to learn more.

Image: Jade Yumang, Obedience Training (detail), 2023. Discharged dye, cotton, sublimation dye, mercerized cotton yarn, fiberfill, cotton piping cord, and bamboo.

JazzPOP returns in its 17th season with leading lights of West Coast jazz and improvised music in the Hammer courtyard. This edition showcases innovative SoCal and Bay Area bandleader-composers who explore a range of influences, from hip-hop to free jazz to Italian cinema, featuring infectious grooves, masterful improvisation, and dynamic ensemble interplay.

Angels Gate Cultural Center (AGCC) presents Displacing Structures, an exhibition guest curated by local artist and CSULB Professor Fafnir Adamites. In Displacing Structures, traditional methods of weaving, netting, lacemaking, and basketry techniques are expanded upon to reveal and embrace personal and shared experiences, queer bodies and the tensions between structure and deviation.

Displacing Structures includes works by Fafnir Adamites, Molly Haynes, José Santiago Pérez, Jade Yumang, and Tomorrow, Asteroid x Jeanne Medina Le.

Displacing Structures is focused on artists who create with materials or techniques that are traditionally within the field of fiber or textile art. These five contemporary artists utilize both traditional and unconventional materials to reveal forms that hold, frame, expand and otherwise make room for the permeable edges. The grid structure found within weaving and netting acts as a stand-in for the societal, political, and binary-heavy structures around us. The artists in Displacing Structures disrupt these strict edges of the grid, instead using it as a visual framework to investigate place, identity and belonging. Languages, bodies, desires, abilities and anomalies of all kinds are given space within their practice to breathe and thrive. Straying from pattern allows room for critique of power structures, imposed binaries and systems of oppression.

Whether permeable or opaque, obvious or veiled, all of the artists included in Displacing Structures push against borders and defy fixed perspectives by examining personal and collective experiences. The artists use thoughtful intention to manipulate, activate and engage materials to create portals, fresh topographies and defiant patterns that offer respite for anyone seeking a break in the grid.

Displacing Structures, alongside UPEND Female Experience and Activism, will be on view in the gallery through August 17th, 2024 with free public visiting hours Thursdays through Saturdays, from 10am to 4pm. Please note that pets are not allowed inside our buildings. For questions, please email gallery@angelsgateart.org.

This exhibition is supported by the California Natural Resources Agency for the Museum Grant Program under the California Cultural and Historical Endowment, the Department of Cultural Affairs, City of Los Angeles, and the Pasadena Art Alliance.

Visit angelsgateart.org to learn more.

Image: Jade Yumang, Obedience Training (detail), 2023. Discharged dye, cotton, sublimation dye, mercerized cotton yarn, fiberfill, cotton piping cord, and bamboo.