Featured Events

Bahia Reverb: Artists and Place presents the work of ten former fellows at the Sacatar Institute in Bahia, Brazil, all from North America and of African descent, to reflect on how Bahia, an epicenter of the African diaspora, has fueled their work and changed their understanding of themselves.

Artists include Gerald Cyrus, Juan Erman Gonzalez, Mark Steven Greenfield, Karen Hampton, Rik Freeman, Francis Tre Lawrence, Germaine Ingram, Sandra Brewster, Precious Lovell, and Tim Whiten.

Bahia Reverb: Artists and Place is organized by the California African American Museum (CAAM) and Art + Practice (A+P). The exhibition is curated by Bia Gayotto, independent curator, artist, and writer. CAAM at A+P is a five-year collaboration.

Glenn Kaino: Aki’s Market is inspired by Akira and Sachiye Shiraishi’s small neighborhood market (1957–1970) in East Los Angeles. Created by artist Glenn Akira Kaino (Akira’s grandson and namesake), the exhibition explores the transgenerational trauma from the World War II Japanese American incarceration experience through the stories of Kaino, his family, and the community. It is also an interrogation of the American practice of displacement—collapsing almost 100 years of cultural subjugation into a spiritual, exploratory space from which the building blocks of peace might be discovered.

The exhibition draws from the life of Kaino’s grandfather, Akira Shiraishi, a legendary high school football player who was unable to realize his dreams of attending Occidental College when he was incarcerated at the Heart Mountain concentration camp in Wyoming. Upon returning to East LA after the war, he and Sachiye dedicated their lives to building their market on the corner of Blanchard Street and Geraghty Avenue—a multicultural anchor that served the Japanese and Hispanic communities.

Kaino only knew his grandfather through family stories. To recreate the market, he pulled from his artistic toolkit and used his skill of unlocking past memories through layered conversations (as in his work with historical figures like Olympian, Tommie Smith). He used this methodology to draw out family memories and paint a full picture of the place they called “The Store.”

Through a virtual reality recreation of the store and an installation of related works, Glenn Kaino: Aki’s Market is an exhibition about collective memory where the archival bleeds into the imaginary and where the most advanced technology serves the most personal past.

Glenn Kaino: Aki’s Market is inspired by Akira and Sachiye Shiraishi’s small neighborhood market (1957–1970) in East Los Angeles. Created by artist Glenn Akira Kaino (Akira’s grandson and namesake), the exhibition explores the transgenerational trauma from the World War II Japanese American incarceration experience through the stories of Kaino, his family, and the community. It is also an interrogation of the American practice of displacement—collapsing almost 100 years of cultural subjugation into a spiritual, exploratory space from which the building blocks of peace might be discovered.

The exhibition draws from the life of Kaino’s grandfather, Akira Shiraishi, a legendary high school football player who was unable to realize his dreams of attending Occidental College when he was incarcerated at the Heart Mountain concentration camp in Wyoming. Upon returning to East LA after the war, he and Sachiye dedicated their lives to building their market on the corner of Blanchard Street and Geraghty Avenue—a multicultural anchor that served the Japanese and Hispanic communities.

Kaino only knew his grandfather through family stories. To recreate the market, he pulled from his artistic toolkit and used his skill of unlocking past memories through layered conversations (as in his work with historical figures like Olympian, Tommie Smith). He used this methodology to draw out family memories and paint a full picture of the place they called “The Store.”

Through a virtual reality recreation of the store and an installation of related works, Glenn Kaino: Aki’s Market is an exhibition about collective memory where the archival bleeds into the imaginary and where the most advanced technology serves the most personal past.

Glenn Kaino: Aki’s Market is inspired by Akira and Sachiye Shiraishi’s small neighborhood market (1957–1970) in East Los Angeles. Created by artist Glenn Akira Kaino (Akira’s grandson and namesake), the exhibition explores the transgenerational trauma from the World War II Japanese American incarceration experience through the stories of Kaino, his family, and the community. It is also an interrogation of the American practice of displacement—collapsing almost 100 years of cultural subjugation into a spiritual, exploratory space from which the building blocks of peace might be discovered.

The exhibition draws from the life of Kaino’s grandfather, Akira Shiraishi, a legendary high school football player who was unable to realize his dreams of attending Occidental College when he was incarcerated at the Heart Mountain concentration camp in Wyoming. Upon returning to East LA after the war, he and Sachiye dedicated their lives to building their market on the corner of Blanchard Street and Geraghty Avenue—a multicultural anchor that served the Japanese and Hispanic communities.

Kaino only knew his grandfather through family stories. To recreate the market, he pulled from his artistic toolkit and used his skill of unlocking past memories through layered conversations (as in his work with historical figures like Olympian, Tommie Smith). He used this methodology to draw out family memories and paint a full picture of the place they called “The Store.”

Through a virtual reality recreation of the store and an installation of related works, Glenn Kaino: Aki’s Market is an exhibition about collective memory where the archival bleeds into the imaginary and where the most advanced technology serves the most personal past.

Glenn Kaino: Aki’s Market is inspired by Akira and Sachiye Shiraishi’s small neighborhood market (1957–1970) in East Los Angeles. Created by artist Glenn Akira Kaino (Akira’s grandson and namesake), the exhibition explores the transgenerational trauma from the World War II Japanese American incarceration experience through the stories of Kaino, his family, and the community. It is also an interrogation of the American practice of displacement—collapsing almost 100 years of cultural subjugation into a spiritual, exploratory space from which the building blocks of peace might be discovered.

The exhibition draws from the life of Kaino’s grandfather, Akira Shiraishi, a legendary high school football player who was unable to realize his dreams of attending Occidental College when he was incarcerated at the Heart Mountain concentration camp in Wyoming. Upon returning to East LA after the war, he and Sachiye dedicated their lives to building their market on the corner of Blanchard Street and Geraghty Avenue—a multicultural anchor that served the Japanese and Hispanic communities.

Kaino only knew his grandfather through family stories. To recreate the market, he pulled from his artistic toolkit and used his skill of unlocking past memories through layered conversations (as in his work with historical figures like Olympian, Tommie Smith). He used this methodology to draw out family memories and paint a full picture of the place they called “The Store.”

Through a virtual reality recreation of the store and an installation of related works, Glenn Kaino: Aki’s Market is an exhibition about collective memory where the archival bleeds into the imaginary and where the most advanced technology serves the most personal past.

Glenn Kaino: Aki’s Market is inspired by Akira and Sachiye Shiraishi’s small neighborhood market (1957–1970) in East Los Angeles. Created by artist Glenn Akira Kaino (Akira’s grandson and namesake), the exhibition explores the transgenerational trauma from the World War II Japanese American incarceration experience through the stories of Kaino, his family, and the community. It is also an interrogation of the American practice of displacement—collapsing almost 100 years of cultural subjugation into a spiritual, exploratory space from which the building blocks of peace might be discovered.

The exhibition draws from the life of Kaino’s grandfather, Akira Shiraishi, a legendary high school football player who was unable to realize his dreams of attending Occidental College when he was incarcerated at the Heart Mountain concentration camp in Wyoming. Upon returning to East LA after the war, he and Sachiye dedicated their lives to building their market on the corner of Blanchard Street and Geraghty Avenue—a multicultural anchor that served the Japanese and Hispanic communities.

Kaino only knew his grandfather through family stories. To recreate the market, he pulled from his artistic toolkit and used his skill of unlocking past memories through layered conversations (as in his work with historical figures like Olympian, Tommie Smith). He used this methodology to draw out family memories and paint a full picture of the place they called “The Store.”

Through a virtual reality recreation of the store and an installation of related works, Glenn Kaino: Aki’s Market is an exhibition about collective memory where the archival bleeds into the imaginary and where the most advanced technology serves the most personal past.

Resolved to incorporate more art and music in the new year? Free winter classes at William Grant Still Arts Center are right around the corner. Registration opens December 12th! This session will include singing, drumming, African Martial Arts, and visual art.

Resolved to incorporate more art and music in the new year? Free winter classes at William Grant Still Arts Center are right around the corner. Registration opens December 12th! This session will include singing, drumming, African Martial Arts, and visual art.