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This mural celebrates the journeys that diasporic communities have undertaken when leaving their homelands to find new places to nest. Muralist Dave Young Kim’s work imagines over 30 birds traveling together in harmonious flight. Each bird pictured here is an official national bird from Asia and the Pacific Islands, representing the diverse communities who now call Southern California home.

 

Join historian and educator Melodie Turori for a thought-provoking discussion on the Treaty of 1898 and its lasting impact on Pasifika communities. This session explores the historical narratives of imperial “possessions” and the ongoing efforts to reclaim and restore Pasifika histories.  

In 2019, Lawson answered more than 1,000 questions in his Story File so that future generations can continue conversing with him to learn about his legacy. What would you like to ask Lawson?

Tuesday, Wednesday, Friday, Saturday, Sunday, 11:00 a.m. – 5:00 p.m.,
Thursday, 12:00 noon – 8:00 p.m.
Adults – $16, Seniors and Youth – $9, Members and Children under 5 – Free

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

The exhibition showcases over thirty works from Jeffrey Gibson, first presented at the 60th Venice Biennale, where he was the first Indigenous artist to represent the U.S. solo. His work integrates influences such as Indigenous artistic traditions, American political documents, and pop music to critique historical narratives while celebrating community strength and joy.

 

Tuesday & Wednesday & Friday 11:00 a.m. – 5:00 p.m. Thursday 11:00 a.m. – 8:00 p.m. Saturday & Sunday 10:00 a.m. – 6:00 p.m.

Feed our playful koi, stroll the winding pathways, view the Tea House, or reflect at the Zen Garden. Each season unfolds with colorful blossoms, exciting cultural celebrations, and intriguing exhibits.

Tuesday – Friday, 10:00 a.m. – 5:00 p.m., Saturday – Sunday, 9:00 a.m. – 1:00 p.m.

Free, no entry without required reservation, tickets available at the website