Family Friendly

This installation features some of the many forms incarceration has taken in the American West over time, in conversation with a new photo series taken in a California state prison by fine art photographer Pep Williams. Located in the jail cell area of the Autry’s firearms galleries, the installation brings past and present into dialogue.

Adults – $14, Students (with current ID) and Seniors (60+) – $10, Children (3–12) – $6

Tuesdays – Fridays 10:00 a.m. – 4:00 p.m., Saturdays – Sundays 10:00 a.m. – 5:00 p.m.

George Washington Carver was a pioneer of plant-based engineering and one of the nation’s earliest proponents of sustainable agriculture. In the early 1900s, he built his “Jesup Wagon,” a moveable school to share soil and plant samples, equipment, and other agricultural knowledge with farmers. Carver’s then-radical ideas—including organic fertilizers, crop rotation, and plant-based medicines, and construction materials—are now recognized as the forerunners of modern conservation.

Tatyana Fazlalizadeh is a Brooklyn-based interdisciplinary artist whose practice considers Black image making as a site of protest, contestation, affirmation, and possibility. At CAAM, Fazlalizadeh will present a series of portraits of Black Angelenos wheat-pasted across the atrium’s monumental walls. Based on photographs and conversations that took place this spring while the artist was living in Los Angeles, the portraits ask how safety is inferred, built, and felt for the city’s Black residents.

Ben Caldwell envisioned cinema as an instrument that could heal and emancipate. In 1984, he opened KAOS Network, the media arts hub that has helped steward Leimert Park Village’s traditions of Black artistry, fellowship, and love for over four decades. This multimedia exhibition explores Caldwell’s varied practices of photography, film, video, music, performance, community-based design, and interactive media and celebrates the creative life and communities of KAOS Network.

The Boyz N the Hood gallery explores the movie’s groundbreaking depiction of Black life in South Central Los Angeles and its lasting impact on popular culture. It spotlights the cast and crew–including Cuba Gooding, Jr., Ice Cube, Morris Chestnut, Laurence Fishburne, Nia Long, and Angela Bassett–showing the pivotal role the film played not only in their careers but also for a new generation of Black talent in Hollywood.

The Compton Art & History Museum opened to the public this year, just months after its two founders, the husbandand- wife duo Abigail Lopez-Byrd and Marquell Byrd, came together with a vision for the space. “We have archives from Compton from the 1960s and 1970s that the youth can now come and see without having to go to neighboring cities or somewhere deep in LA that don’t represent who they are or where they come from,” says Co-founder Marquell Byrd.

A one-woman show highlighting the cumulative work of Robin Strayhorn using various mediums. Strayhorn is a multidisciplinary artist residing in Los Angeles for the past 40 years. Some other most recent work reflects time spent living and studying in India. There will be an Artist Talk/Reception on February 9, check the website for details.

Cuban-born Campos-Pons creates vivid photographs, watercolors, installations, and performances that explore the cultural and personal impacts of migration and memory. Her work reflects the histories of labor affecting her family, emphasizing resilience and honoring her Nigerian and Chinese ancestors. This 35-year survey highlights the interconnectedness between people and their environments, offering a rich, sensory experience.

Join Council President Marqueece Harris-Dawson; Mayor Karen Bass; the Los Angeles City Council; and the Department of Cultural Affairs (DCA) to officially celebrate the exhibition installation of the work of Los Angeles photographer, Leroy Hamilton in DCA’s Henry P. Rios Gallery at Los Angeles City Hall on display from Friday, January 31, 2025 to February 26, 2025.

The Story of Us displays Black Angelenos in several dimensions of their lives—at home with family, in the conference room, on the court, in government halls of power, on the mainstage, in the streets, and in places of worship. It captures the fullness of Black life. Mr. Hamilton seeks to restore the humanity behind Black faces that are often misrepresented. Visitors will experience the full spectrum of Black personhood through the lens of a local artist with strategic connections and expansive vision.

The Story of Us is Leroy Hamilton’s exhibit which he hopes will reverberate across the country. By capturing a collection of photos of Black Angelenos, the artist hopes to draw parallels between movement building in Black Los Angeles to national Black movements. Mr. Hamilton hopes to remind visitors that there is a community photographer in every community, and we must recommit ourselves to seeking them out and uplifting their work. The photography exhibit is an ode to Black Los Angeles and all we represent in the past, present, and future–from Crenshaw to the coast, this is The Story of Us.

The exhibition is curated and coordinated by Larry Earl.

Photography Exhibition: January 31, 2025 through February 26, 2025

The exhibition is free to visit and open to the public.

Ribbon Cutting: Friday, February 7, 2025, 9:30 a.m.