African American Heritage Month

Event Type
Culture & Community
Family Activity
Event Department
Cultural Affairs
Description

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Event Date
-
Event Location

Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
United States

Event Lat/Long
34.0637913, -118.3588851
Fee Required
Yes
Event Cost
$10 – $25
Contact Phone
213.202.5567
Event ID
10296994
Event Main Image
Event Type
Culture & Community
Family Activity
Event Department
Cultural Affairs
Description

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Event Date
-
Event Location

Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
United States

Event Lat/Long
34.0637913, -118.3588851
Fee Required
Yes
Event Cost
$10 – $25
Contact Phone
213.202.5567
Event ID
10296993
Event Main Image
Event Type
Culture & Community
Family Activity
Event Department
Cultural Affairs
Description

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Event Date
-
Event Location

Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
United States

Event Lat/Long
34.0637913, -118.3588851
Fee Required
Yes
Event Cost
$10 – $25
Contact Phone
213.202.5567
Event ID
10296991
Event Main Image
Event Type
Culture & Community
Family Activity
Event Department
Cultural Affairs
Description

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Event Date
-
Event Location

Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
United States

Event Lat/Long
34.0637913, -118.3588851
Fee Required
Yes
Event Cost
$10 – $25
Contact Phone
213.202.5567
Event ID
10296990
Event Main Image
Event Type
Culture & Community
Family Activity
Event Department
Cultural Affairs
Description

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Event Date
-
Event Location

Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
United States

Event Lat/Long
34.0637913, -118.3588851
Fee Required
Yes
Event Cost
$10 – $25
Contact Phone
213.202.5567
Event ID
10296989
Event Main Image
Event Type
Culture & Community
Family Activity
Event Department
Cultural Affairs
Description

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Event Date
-
Event Location

Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
United States

Event Lat/Long
34.0637913, -118.3588851
Fee Required
Yes
Event Cost
$10 – $25
Contact Phone
213.202.5567
Event ID
10296988
Event Main Image
Event Type
Culture & Community
Event Department
Cultural Affairs
Description
Learn and practice basic computer skills like using the mouse, typing, browsing the internet, using email, and more.
Event Date
-
Event Location

Vernon – Leon H. Washington Jr. Memorial Branch Library
4504 S. Central Ave.
Los Angeles, 90011
United States

Event Lat/Long
34.002617, -118.2561087
Fee Required
No
Event Cost
Free
Contact Phone
323.234.9106
Event ID
10349510
Event Main Image
Event Type
Culture & Community
Family Activity
Event Department
Cultural Affairs
Description

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Event Date
-
Event Location

Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
United States

Event Lat/Long
34.0637913, -118.3588851
Fee Required
Yes
Event Cost
$10 – $25
Contact Phone
213.202.5567
Event ID
10296987
Event Main Image
Event Type
Culture & Community
Family Activity
Event Department
Cultural Affairs
Description

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Event Date
-
Event Location

Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
United States

Event Lat/Long
34.0637913, -118.3588851
Fee Required
Yes
Event Cost
$10 – $25
Contact Phone
213.202.5567
Event ID
10296986
Event Main Image
Event Type
Culture & Community
Family Activity
Event Department
Cultural Affairs
Description

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Event Date
-
Event Location

Los Angeles County Museum of Art
5905 Wilshire Blvd.
Los Angeles, CA 90036
United States

Event Lat/Long
34.0637913, -118.3588851
Fee Required
Yes
Event Cost
$10 – $25
Contact Phone
213.202.5567
Event ID
10296985
Event Main Image