Exhibition

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

This installation features some of the many forms incarceration has taken in the American West over time, in conversation with a new photo series taken in a California state prison by fine art photographer Pep Williams. Located in the jail cell area of the Autry’s firearms galleries, the installation brings past and present into dialogue.

Adults – $14, Students (with current ID) and Seniors (60+) – $10, Children (3–12) – $6

Tuesdays – Fridays 10:00 a.m. – 4:00 p.m., Saturdays – Sundays 10:00 a.m. – 5:00 p.m.

Tatyana Fazlalizadeh is a Brooklyn-based interdisciplinary artist whose practice considers Black image making as a site of protest, contestation, affirmation, and possibility. At CAAM, Fazlalizadeh will present a series of portraits of Black Angelenos wheat-pasted across the atrium’s monumental walls. Based on photographs and conversations that took place this spring while the artist was living in Los Angeles, the portraits ask how safety is inferred, built, and felt for the city’s Black residents.

The Compton Art & History Museum opened to the public this year, just months after its two founders, the husbandand- wife duo Abigail Lopez-Byrd and Marquell Byrd, came together with a vision for the space. “We have archives from Compton from the 1960s and 1970s that the youth can now come and see without having to go to neighboring cities or somewhere deep in LA that don’t represent who they are or where they come from,” says Co-founder Marquell Byrd.

Cuban-born Campos-Pons creates vivid photographs, watercolors, installations, and performances that explore the cultural and personal impacts of migration and memory. Her work reflects the histories of labor affecting her family, emphasizing resilience and honoring her Nigerian and Chinese ancestors. This 35-year survey highlights the interconnectedness between people and their environments, offering a rich, sensory experience.

Justice in our Barrios, Paz al Mundo: A Moratorium on War and Carrying the Legacy Forward, the inaugural exhibition of the Lincoln Heights Youth Arts Center (LHYAC). The exhibition features the personal archive of Rosalio Muñoz, peace activist, social justice organizer, youth mentor with roots in Lincoln Heights and Highland Park, and a Co-Founder of the Chicano Moratorium. Muñoz life’s work underscores the importance of asking ourselves how we can continue building people power and agency and that, together, we can bring about the changes needed in our world today. The exhibition is the culmination of a nine-week summer youth internship that the Center recognized as the Summer 2024 Youth Leaders.

The opening reception of Justice in our Barrios, Paz al Mundo: A Moratorium on War and Carrying the Legacy Forward takes place on Saturday, September 21, 2024, from 4:00 to 7:00 p.m. The event will be held at El Pueblo de Lincoln Heights Art Gallery at Lincoln Heights Youth Arts Center, located at 2911 Altura Street, Los Angeles, CA 90031. The opening reception and gallery are free and open for all to attend.

Rosalio Muñoz’s knowledge, lived experience, and personal archive ephemera including photographs, newspaper and magazine articles, campaign materials, artworks, and government documents provide the cornerstone from which this exhibition chronicles the historiography of the growing presence and empowerment of Mexican American people starting in the 1920s. Justice in our Barrios emphasizes the Chicano Moratorium’s multigenerational, intercultural, and national grassroots mobilization efforts whose anti-war 2 mission played a critical role in bringing an end to the Vietnam War. Further, it highlights the Chicano Movement’s priorities and accomplishments that took shape and continued after the post-war era towards creating an improved quality of life for all people, particularly the poor and undocumented in Los Angeles.

In addition to the historical timeline, the exhibition showcases contemporary works of art including painting, drawing, photography, and mixed media, that embody peace, justice, and solidarity. The contemporary collection is of emerging and established artists, from LHYAC visual art students to renowned artivists, exemplifying the vibrant spirit and rich history of Los Angeles’s Chicanx resilience and resistance, and reflect the Chicano Movement’s legacy and relevance to the global conflicts of today. Artworks were selected from an Open Call for Art and carefully chosen by the Youth Leaders themselves.

Featured artists include Rafael Cardenas, Colorsoner, Dare to Struggle, Hailey Deniz, Emma Deniz, Jennaya Dunlap, Paz Fernandez, Mina Ho Ferrante, Yulu Fuentes, Bobby Gordon, Kalli Arte Collective, Lilia “Liliflor” Ramirez, Pola Lopez, Tatiana Luboviski-Acosta commissioned by Coyotl + Macehualli, Arturo Meza II, Andrea “Mextica” Ramirez, Josiah O’ Balles, Dara Oum, Sol Itzel Ramirez, Melanny Rivera & Brenda Ceja, Re:sister, Joanna S., and Miki Yokoyama.

The contemporary artworks will be on display until December 14, 2024, and the historical collection will continue through February 2025. Gallery hours are Monday through Friday from 10:00 a.m. to 3:00 p.m., and Saturdays from 10:00 a.m. to 1:00 p.m. Information on public programming is forthcoming.

Fostering Photovoice: a photo exhibition about the foster youth experience, features photographs that depict identity, family, and the foster care system by six LA based foster youth artists. Join us for our Closing Reception on March 8, 2025. Stay tuned for upcoming details.

Fostering Photovoice is a group photography exhibition that reflects the lives and experiences of youth impacted by foster care. The project was conceived by a photovoice research collective that included six artists—all former foster youths between the ages of 18 and 25 who reside in Los Angeles County. Several UCLA undergraduate and graduate students were involved, among them, participants who have had lived experience in foster care, or had expertise in using the arts-based empowerment method called photovoice for research and social policy.

The collective came together over 7 weeks during the summer of 2023. The exhibition is organized by prompts and considers the differences in the views of each artist. It includes reflections on who the youth are, how they think about family, and how they would have liked the system to respond to and support their needs.

The series invites the viewer to beliefs about foster youth and the foster care system, including any biases they may have. It is also an opportunity to reflect on how to best support foster youth who enter state care through no fault of their own—both as children and as they transition to adulthood.

The Intra-American Slave Trade Database is a resource for the study of the African diaspora in the Americas. Launched online in 2018, it documents more than 27,000 voyages that trafficked enslaved Africans and African-descended people from one part of the Americas to another from 1550 to 1860. This database strengthens research throughout the University of California system on the history and impact of the slave trade and slavery in the Americas by connecting scholarship on the Atlantic and Pacific Worlds.