Exhibition

The exhibition brings together artists Michael Massenburg, Aiseborn, and Mr. B Baby to explore the intersections of family,
culture, and community. Curated by Guillermo Aviles-Rodriguez, PhD., the works will be on view Wednesday to Saturday, 10:00 a.m. to 4:00 p.m., from April 13 to August 2024, with a reception/artist talk and performance by Nedra Wheeler Trio taking place Sunday, June 9 at 1:00 p.m. Admission is free.

Cover image: Helping Families Grow, by Michael Massenburg, Aiseborn, and Mr. B Baby located at Kaiser Permanente Watts Counseling and Learning Center

Justice in our Barrios, Paz al Mundo: A Moratorium on War and Carrying the Legacy Forward, the inaugural exhibition of the Lincoln Heights Youth Arts Center (LHYAC). The exhibition features the personal archive of Rosalio Muñoz, peace activist, social justice organizer, youth mentor with roots in Lincoln Heights and Highland Park, and a Co-Founder of the Chicano Moratorium. Muñoz life’s work underscores the importance of asking ourselves how we can continue building people power and agency and that, together, we can bring about the changes needed in our world today. The exhibition is the culmination of a nine-week summer youth internship that the Center recognized as the Summer 2024 Youth Leaders.

The opening reception of Justice in our Barrios, Paz al Mundo: A Moratorium on War and Carrying the Legacy Forward takes place on Saturday, September 21, 2024, from 4:00 to 7:00 p.m. The event will be held at El Pueblo de Lincoln Heights Art Gallery at Lincoln Heights Youth Arts Center, located at 2911 Altura Street, Los Angeles, CA 90031. The opening reception and gallery are free and open for all to attend.

Rosalio Muñoz’s knowledge, lived experience, and personal archive ephemera including photographs, newspaper and magazine articles, campaign materials, artworks, and government documents provide the cornerstone from which this exhibition chronicles the historiography of the growing presence and empowerment of Mexican American people starting in the 1920s. Justice in our Barrios emphasizes the Chicano Moratorium’s multigenerational, intercultural, and national grassroots mobilization efforts whose anti-war 2 mission played a critical role in bringing an end to the Vietnam War. Further, it highlights the Chicano Movement’s priorities and accomplishments that took shape and continued after the post-war era towards creating an improved quality of life for all people, particularly the poor and undocumented in Los Angeles.

In addition to the historical timeline, the exhibition showcases contemporary works of art including painting, drawing, photography, and mixed media, that embody peace, justice, and solidarity. The contemporary collection is of emerging and established artists, from LHYAC visual art students to renowned artivists, exemplifying the vibrant spirit and rich history of Los Angeles’s Chicanx resilience and resistance, and reflect the Chicano Movement’s legacy and relevance to the global conflicts of today. Artworks were selected from an Open Call for Art and carefully chosen by the Youth Leaders themselves.

Featured artists include Rafael Cardenas, Colorsoner, Dare to Struggle, Hailey Deniz, Emma Deniz, Jennaya Dunlap, Paz Fernandez, Mina Ho Ferrante, Yulu Fuentes, Bobby Gordon, Kalli Arte Collective, Lilia “Liliflor” Ramirez, Pola Lopez, Tatiana Luboviski-Acosta commissioned by Coyotl + Macehualli, Arturo Meza II, Andrea “Mextica” Ramirez, Josiah O’ Balles, Dara Oum, Sol Itzel Ramirez, Melanny Rivera & Brenda Ceja, Re:sister, Joanna S., and Miki Yokoyama.

The contemporary artworks will be on display until December 14, 2024, and the historical collection will continue through February 2025. Gallery hours are Monday through Friday from 10:00 a.m. to 3:00 p.m., and Saturdays from 10:00 a.m. to 1:00 p.m. Information on public programming is forthcoming.

Port Traits pays tribute to the work of late AGCC Studio Artists Scott Brown and Slobodan Dimitrov. The exhibition features a selection of paintings by Brown and his alias, Butcher John Henry (a collaboration with artist Logan Fox), in addition to black and white film photographs by Dimitrov. With over 25 years of history at the Center, Scott Brown and Slobodan Dimitrov will be remembered for their impact on the San Pedro community.

Scott Brown was a painter, photographer, and storyteller who grew up in Southern California. Scott was an active member of the South Bay arts community, participating regularly in the First Thursday art walk in Downtown San Pedro and other events around San Pedro and Palos Verdes. Brown’s colorful and uniquely stylized paintings captured the people and places in his life around San Pedro and beyond. Paintings by Scott Brown and his collaborative alias, Butcher John Henry, will be on view in Port Traits.

Slobodan Dimitrov was the unofficial photographer of the labor movement in the LA area for the past thirty years, a crucial period in its history. He was born in former Yugoslavia (present-day Serbia) and spent several years in France as a child before emigrating to Los Angeles. He became an AGCC Studio Artist in 1984, and he has spent much of his career documenting the labor movement in addition to San Pedro’s history and local artists. Port Traits will feature several bodies work by Dimitrov from his black and white film photography practice.

Port Traits will be on view in the AGCC galleries March 9th – April 6th, 2024, with open gallery hours Thursdays – Saturdays from 10am to 4pm. The exhibition will open with a free public reception on Saturday, March 9th from 3-5pm.

Support for the AGCC exhibitions program is provided by City of Los Angeles Department of Recreation and Parks, the Los Angeles County Department of Arts and Culture, The Ahmanson Foundation, Norris Foundation, the Perenchio Foundation, and the Ralph M. Parsons Foundation.

About Angels Gate Cultural Center

Angels Gate Cultural Center (AGCC) emerged from a group of San Pedro artists in the 1970s that created art studios and exhibition space within the WWII era army barracks of Angels Gate Park near the Port of Los Angeles. Today, AGCC hosts over 50 artist studios in addition to a variety of programs to engage the diverse communities of the Los Angeles Harbor region, including arts education in local schools, community classes, cultural events, and exhibitions of contemporary art. More information about AGCC is available at angelsgateart.org

Fostering Photovoice: a photo exhibition about the foster youth experience, features photographs that depict identity, family, and the foster care system by six LA based foster youth artists. Join us for our Closing Reception on March 8, 2025. Stay tuned for upcoming details.

Fostering Photovoice is a group photography exhibition that reflects the lives and experiences of youth impacted by foster care. The project was conceived by a photovoice research collective that included six artists—all former foster youths between the ages of 18 and 25 who reside in Los Angeles County. Several UCLA undergraduate and graduate students were involved, among them, participants who have had lived experience in foster care, or had expertise in using the arts-based empowerment method called photovoice for research and social policy.

The collective came together over 7 weeks during the summer of 2023. The exhibition is organized by prompts and considers the differences in the views of each artist. It includes reflections on who the youth are, how they think about family, and how they would have liked the system to respond to and support their needs.

The series invites the viewer to beliefs about foster youth and the foster care system, including any biases they may have. It is also an opportunity to reflect on how to best support foster youth who enter state care through no fault of their own—both as children and as they transition to adulthood.

Mesoamerican artists held a cosmic responsibility: as they adorned the surfaces of buildings, clay vessels, textiles, bark-paper pages, and sculptures with color, they (quite literally) made the world. Color mapped the very order of the cosmos, of time and space. The exhibition explores the science, art, and cosmology of color in Mesoamerica. See website for ticket prices and registration.

Prior to the colonization of Southern California in the 18th century, Native communities throughout the region deployed controlled fire regimes to ensure the well-being of their local ecosystems. Fire Kinship counters attitudes of fear and illegality around fire, arguing for a return to Native practices in which fire is regarded as a vital aspect of land stewardship, community well-being, and tribal sovereignty. Wednesdays 12:00 noon – 8:00 p.m., Thursdays – Sundays 12:00 noon – 5:00 p.m.

Social Forest: Oaks of Tovaangar is inspired by Joseph Beuys’s influential work 7000 Oaks. In a multifaceted effort, The Broad will present his art, an offsite public reforestation project, and a series of programs connected with the legacy of Joseph Beuys’s art and environmental advocacy. Social Forest: Oaks of Tovaangar encompasses planting 100 native trees, primarily coast live oaks, in Elysian Park in Los Angeles and additional plantings at Kuruvungna Village Springs in West L.A. Reserve tickets at website

Since 2007, JANM has partnered with Eric Nakamura, founder of Giant Robot, to produce the Giant Robot Biennale, a recurring art exhibition that highlights diverse creative works celebrating the ethos of Giant Robot—a staple of Asian American alternative pop culture and an influential brand encompassing pop art, skateboard, comic book, graphic arts, and vinyl toy culture.

Giant Robot Biennale 5 will feature artists Sean Chao, Felicia Chiao, Luke Chueh, Giorgiko, James Jean, Taylor Lee, Mike Shinoda, Rain Szeto, and Yoskay Yamamoto.

Giant Robot Biennale 5 is presented by JANM and Eric Nakamura, founder of Giant Robot.

Top: Felicia Chiao, Imagination (detail), 2023, Copic marker and ink on brown toned paper. Courtesy of the artist.