Contemporary Art

Port Traits pays tribute to the work of late AGCC Studio Artists Scott Brown and Slobodan Dimitrov. The exhibition features a selection of paintings by Brown and his alias, Butcher John Henry (a collaboration with artist Logan Fox), in addition to black and white film photographs by Dimitrov. With over 25 years of history at the Center, Scott Brown and Slobodan Dimitrov will be remembered for their impact on the San Pedro community.

Scott Brown was a painter, photographer, and storyteller who grew up in Southern California. Scott was an active member of the South Bay arts community, participating regularly in the First Thursday art walk in Downtown San Pedro and other events around San Pedro and Palos Verdes. Brown’s colorful and uniquely stylized paintings captured the people and places in his life around San Pedro and beyond. Paintings by Scott Brown and his collaborative alias, Butcher John Henry, will be on view in Port Traits.

Slobodan Dimitrov was the unofficial photographer of the labor movement in the LA area for the past thirty years, a crucial period in its history. He was born in former Yugoslavia (present-day Serbia) and spent several years in France as a child before emigrating to Los Angeles. He became an AGCC Studio Artist in 1984, and he has spent much of his career documenting the labor movement in addition to San Pedro’s history and local artists. Port Traits will feature several bodies work by Dimitrov from his black and white film photography practice.

Port Traits will be on view in the AGCC galleries March 9th – April 6th, 2024, with open gallery hours Thursdays – Saturdays from 10am to 4pm. The exhibition will open with a free public reception on Saturday, March 9th from 3-5pm.

Support for the AGCC exhibitions program is provided by City of Los Angeles Department of Recreation and Parks, the Los Angeles County Department of Arts and Culture, The Ahmanson Foundation, Norris Foundation, the Perenchio Foundation, and the Ralph M. Parsons Foundation.

About Angels Gate Cultural Center

Angels Gate Cultural Center (AGCC) emerged from a group of San Pedro artists in the 1970s that created art studios and exhibition space within the WWII era army barracks of Angels Gate Park near the Port of Los Angeles. Today, AGCC hosts over 50 artist studios in addition to a variety of programs to engage the diverse communities of the Los Angeles Harbor region, including arts education in local schools, community classes, cultural events, and exhibitions of contemporary art. More information about AGCC is available at angelsgateart.org

MATERIAL RECOVERY: Printmaking with Recycled Materials is a group exhibition by LYNK Collective.

Works by: Yeansoo Aum • Elisabeth Beck • Andra Broekelschen Alexandra Chiara • Christina Yasmin Fesmire • Karen Fiorito • Carole Gelker • Bill Jaros • Nguyen Ly Diane McLeod • Jared Millar • William Myers • Marina Polic • Vera Polic-Lakhal • Francisco Rogido • Olga Ryabtsova Laura Shapiro • Tracy Loreque Skinner • Mary Lawrence Test • Paula Voss • Zana Zupur Guest Artists: Karen Feuer-Schwager • Kim Kei Wendy Murray • Jackie Nach • MJ Rado  • Victor Rosas • Fred Rose • Marianne Sadowski  • Jillian Thompson • Katie Thompson-Peer

Curated by Christina Yasmin Fesmire and Jared Miller.

The works in Material Recovery reclaim common materials such as cardboard, plastic, and wood – the very products that flow through the nearby Port of Los Angeles destined for landfills. As printmakers, the members of LYNK Collective have a vested interest in the ongoing recovery and reduction of waste. The paper on which they print— “rag” paper—was traditionally made from scraps of recycled cotton rags. Material Recovery: Printmaking with Recycled Materials is an expression LYNK Collective’s values, as ecologically conscious artists inhabiting a shared earth, producing artwork made from recycled rather than raw materials.

Exhibition Programming

Print Workshop with LYNK Collective (RSVP required) February 10th and 17th: http://tinyurl.com/mr4afwjz | Closing and Artist Talk March 23rd, 2-4pm: http://tinyurl.com/57m4rzv7

AGCC Gallery Hours: Thursday — Saturday, 10am to 4pm
(Please note that the AGCC Gallery will close early at 1pm on January 27th).

Learn more and plan your visit: angelsgateart.org

Established in 2017, LYNK Collective is a group of two dozen artists from the Orange County and Los Angeles area who collaborate on projects and exhibitions through the medium of printmaking. LYNK Collective has been featured in The Hand, Pressing Matters, and the Los Angeles Printmaking Society blog, Press On.

This exhibition is supported by Los Angeles Department of Cultural Affairs, Los Angeles County Department of Arts and Culture, California Natural Resources Agency for the Museum Grant Program under the California Cultural and Historical Endowment, and Perenchio Foundation.

Riverside Art Museum is proud to present the second West Coast solo exhibition of Rico Gatson’s work. An interdisciplinary, Brooklyn-based artist, Gatson grew up in Riverside, California. His work is bold and graphic with art historical references to Russian Constructivism and Op art, while his wholly unique style highlights the complexities of Black life and its impact on American popular culture.

The exhibition is on view from Saturday, November 18, 2023 through Sunday, April 7, 2024 at the Riverside Art Museum in the Art Alliance Gallery.

 

Renowned American artist Betye Saar’s large-scale work Drifting Toward Twilight—recently commissioned by The Huntington—is a site-specific installation that features a 17-foot-long vintage wooden canoe and found objects, including birdcages, antlers, and natural materials harvested by Saar from The Huntington’s grounds.

 

“Betye Saar: Drifting Toward Twilight” transforms an entire room in the Scott Galleries into what the artist calls a “cocoon-like environment.” The walls are painted in an oceanic blue gradient, featuring a poem by Saar and phases of the moon. Shifting lighting effects in the gallery emulate phases of daylight to twilight, evening to night, and night to dawn. Inside the canoe, Saar positions mysterious “passengers,” including antlers in metal birdcages, children’s chairs, and architectural elements—all drawn from the artist’s ever-evolving collection of found objects. The space beneath the canoe is illuminated by a cool neon glow, highlighting plant material.

 

Betye Saar (b. 1926) is one of the most significant American artists. Over her six-decade career, she has created assemblage works exploring themes of racial oppression, mysticism, the occult, family, memory, and identity. She fashions her assemblage artworks from found objects, antiques, and family heirlooms that she collects. Emerging as an important artistic voice during the feminist and Civil Rights movements, Saar is a pioneer of Black feminist art who connected the personal with the political, taking on such subject matter as the legacies of enslavement and the impacts of racism.

The work of New York-based artist Sanford Biggers (b. 1970, Los Angeles) inaugurates the museum’s outdoor sculpture pedestal at Wilshire Boulevard and Glendon Avenue. Anchoring this corner is Oracle (2021), a cast bronze figure weighing 7.64 US tons (15,280 pounds) and standing at 25 feet tall. This monumental commission from Biggers continues his “Chimera” series that hybridizes the canonical figures and gestures of Greco-Roman sculpture with an assortment of iconic African objects from the 14th–20th centuries.

Sanford Biggers: Oracle is organized by Connie Butler, chief curator, with Ikechukwu Onyewuenyi, curatorial assistant.

This moving, seminal, visual arts project was conceptualized and developed by the Arts Center Director, Rosie Lee Hooks who commissioned 13 artists from the community to use shovels as a canvas to honor the legacy of our ancestors. Each of the world-renowned, master artists who accepted the challenge have a history of building arts institutions in Watts and the greater Los Angeles community.  

The Museum of Latin American Art is pleased to present Alexandre Arrechea: Intersected Horizons, the first solo museum show in California that explores the artistic practices of the well-known and multidisciplinary artist Alexandre Arrechea. A contemporary Afro-Cuban artist based between Spain and the USA for more than two decades and the former co-founder of the Los Carpinteros collective,

 

In this exhibit, Arrechea’s method of transgressing the limits of traditional artifacts and materials as a point of examination is redefined as a social and political exploration that melds art, history, and archaeological forms.

 

Adults – $15 Seniors & Students – $10, Members and Children under 12 Free,
Free Admission every Sunday

The Broad is pleased to announce Desire, Knowledge, and Hope (with Smog), an exhibition drawn entirely from the Broad collection, showcasing works by Los Angeles-based artists. Drawing its title from a John Baldessari work, the exhibition includes reflections on L.A. as a city in flux, and on societal issues that extend far beyond it. The show includes the work of 21 artists across varying generations who were raised in the Los Angeles area, or relocated to the city.

 

Tuesdays, Wednesdays & Fridays – 11:00 a.m. – 5:00 p.m.,

Thursdays – 11:00 a.m. – 8:00 p.m.,
Saturdays & Sundays 10:00 a.m. – 6:00 p.m.