Daytime

The exhibition brings together artists Michael Massenburg, Aiseborn, and Mr. B Baby to explore the intersections of family,
culture, and community. Curated by Guillermo Aviles-Rodriguez, PhD., the works will be on view Wednesday to Saturday, 10:00 a.m. to 4:00 p.m., from April 13 to August 2024, with a reception/artist talk and performance by Nedra Wheeler Trio taking place Sunday, June 9 at 1:00 p.m. Admission is free.

Cover image: Helping Families Grow, by Michael Massenburg, Aiseborn, and Mr. B Baby located at Kaiser Permanente Watts Counseling and Learning Center

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

This moving, seminal visual arts project was conceptualized and developed by the Watts Towers Arts Center Director, Rosie Lee Hooks, who commissioned 13 artists from the community to use shovels as a canvas to honor the legacy of our ancestors. Each of the world-renowned master artists who accepted the challenge has a history of building art institutions in Watts and in the greater Los Angeles area.

This installation features some of the many forms incarceration has taken in the American West over time, in conversation with a new photo series taken in a California state prison by fine art photographer Pep Williams. Located in the jail cell area of the Autry’s firearms galleries, the installation brings past and present into dialogue.

Adults – $14, Students (with current ID) and Seniors (60+) – $10, Children (3–12) – $6

Tuesdays – Fridays 10:00 a.m. – 4:00 p.m., Saturdays – Sundays 10:00 a.m. – 5:00 p.m.

George Washington Carver was a pioneer of plant-based engineering and one of the nation’s earliest proponents of sustainable agriculture. In the early 1900s, he built his “Jesup Wagon,” a moveable school to share soil and plant samples, equipment, and other agricultural knowledge with farmers. Carver’s then-radical ideas—including organic fertilizers, crop rotation, and plant-based medicines, and construction materials—are now recognized as the forerunners of modern conservation.

Tatyana Fazlalizadeh is a Brooklyn-based interdisciplinary artist whose practice considers Black image making as a site of protest, contestation, affirmation, and possibility. At CAAM, Fazlalizadeh will present a series of portraits of Black Angelenos wheat-pasted across the atrium’s monumental walls. Based on photographs and conversations that took place this spring while the artist was living in Los Angeles, the portraits ask how safety is inferred, built, and felt for the city’s Black residents.

Ben Caldwell envisioned cinema as an instrument that could heal and emancipate. In 1984, he opened KAOS Network, the media arts hub that has helped steward Leimert Park Village’s traditions of Black artistry, fellowship, and love for over four decades. This multimedia exhibition explores Caldwell’s varied practices of photography, film, video, music, performance, community-based design, and interactive media and celebrates the creative life and communities of KAOS Network.

The Boyz N the Hood gallery explores the movie’s groundbreaking depiction of Black life in South Central Los Angeles and its lasting impact on popular culture. It spotlights the cast and crew–including Cuba Gooding, Jr., Ice Cube, Morris Chestnut, Laurence Fishburne, Nia Long, and Angela Bassett–showing the pivotal role the film played not only in their careers but also for a new generation of Black talent in Hollywood.

The Compton Art & History Museum opened to the public this year, just months after its two founders, the husbandand- wife duo Abigail Lopez-Byrd and Marquell Byrd, came together with a vision for the space. “We have archives from Compton from the 1960s and 1970s that the youth can now come and see without having to go to neighboring cities or somewhere deep in LA that don’t represent who they are or where they come from,” says Co-founder Marquell Byrd.