Daytime

Explore living collections of orchids and camellias, a botanical conservatory, a fragrant rose garden, a children’s garden, and more, in 16 themed gardens spread over 120 acres. All visitors, including members, must reserve tickets online in advance.

 

Open Daily,  10:00 a.m. – 5:00 p.m., Closed on Tuesdays

Glenn Kaino: Aki’s Market is inspired by Akira and Sachiye Shiraishi’s small neighborhood market (1957–1970) in East Los Angeles. Created by artist Glenn Akira Kaino (Akira’s grandson and namesake), the exhibition explores the transgenerational trauma from the World War II Japanese American incarceration experience through the stories of Kaino, his family, and the community. It is also an interrogation of the American practice of displacement—collapsing almost 100 years of cultural subjugation into a spiritual, exploratory space from which the building blocks of peace might be discovered.

The exhibition draws from the life of Kaino’s grandfather, Akira Shiraishi, a legendary high school football player who was unable to realize his dreams of attending Occidental College when he was incarcerated at the Heart Mountain concentration camp in Wyoming. Upon returning to East LA after the war, he and Sachiye dedicated their lives to building their market on the corner of Blanchard Street and Geraghty Avenue—a multicultural anchor that served the Japanese and Hispanic communities.

Kaino only knew his grandfather through family stories. To recreate the market, he pulled from his artistic toolkit and used his skill of unlocking past memories through layered conversations (as in his work with historical figures like Olympian, Tommie Smith). He used this methodology to draw out family memories and paint a full picture of the place they called “The Store.”

Through a virtual reality recreation of the store and an installation of related works, Glenn Kaino: Aki’s Market is an exhibition about collective memory where the archival bleeds into the imaginary and where the most advanced technology serves the most personal past.

Renowned American artist Betye Saar’s large-scale work Drifting Toward Twilight—recently commissioned by The Huntington—is a site-specific installation that features a 17-foot-long vintage wooden canoe and found objects, including birdcages, antlers, and natural materials harvested by Saar from The Huntington’s grounds.

 

“Betye Saar: Drifting Toward Twilight” transforms an entire room in the Scott Galleries into what the artist calls a “cocoon-like environment.” The walls are painted in an oceanic blue gradient, featuring a poem by Saar and phases of the moon. Shifting lighting effects in the gallery emulate phases of daylight to twilight, evening to night, and night to dawn. Inside the canoe, Saar positions mysterious “passengers,” including antlers in metal birdcages, children’s chairs, and architectural elements—all drawn from the artist’s ever-evolving collection of found objects. The space beneath the canoe is illuminated by a cool neon glow, highlighting plant material.

 

Betye Saar (b. 1926) is one of the most significant American artists. Over her six-decade career, she has created assemblage works exploring themes of racial oppression, mysticism, the occult, family, memory, and identity. She fashions her assemblage artworks from found objects, antiques, and family heirlooms that she collects. Emerging as an important artistic voice during the feminist and Civil Rights movements, Saar is a pioneer of Black feminist art who connected the personal with the political, taking on such subject matter as the legacies of enslavement and the impacts of racism.

Come celebrate the 50th anniversary of hip-hop. Our 5,000-square-foot exhibit delves deep into the multifaceted world of hip-hop through expansive exhibits on hip-hop music, dance, graffiti, fashion, business, activism, and history, providing visitors with an immersive experience that explores the profound impact and influence of hip-hop culture. On display will be an incredible array of artifacts including the Notorious B.I.G.’s iconic red leather pea jacket, LL Cool J’s red Kangol bucket hat, and more.

 

Sundays & Mondays, Wednesdays – Fridays 11:00 noon – 5:00 p.m. Saturdays: 10:00 a.m. – 6:00p.m,  Tuesdays – Closed

Adjacent to John Waters: Pope of Trash, in the Warner Bros. Gallery, the Academy Museum presents Outside the Mainstream, an installation that pays homage to the work of other radically independent filmmakers—such as Kenneth Anger, Shirley Clarke, Jack Smith, Andy Warhol, Gregg Araki, Todd Haynes, and Rose Troche—who operate beyond the pale of mainstream cinema. The gallery focuses on examples from the American avant-garde, underground film, and New Queer Cinema movements, united by how forward-thinking film journalists including Jonas Mekas and B. Ruby Rich supported their reach.  

 

The Broad is pleased to announce Desire, Knowledge, and Hope (with Smog), an exhibition drawn entirely from the Broad collection, showcasing works by Los Angeles-based artists. Drawing its title from a John Baldessari work, the exhibition includes reflections on L.A. as a city in flux, and on societal issues that extend far beyond it. The show includes the work of 21 artists across varying generations who were raised in the Los Angeles area, or relocated to the city.

 

Tuesdays, Wednesdays & Fridays – 11:00 a.m. – 5:00 p.m.,

Thursdays – 11:00 a.m. – 8:00 p.m.,
Saturdays & Sundays 10:00 a.m. – 6:00 p.m.

This moving, seminal, visual arts project was conceptualized and developed by the Arts Center Director, Rosie Lee Hooks who commissioned 13 artists from the community to use shovels as a canvas to honor the legacy of our ancestors. Each of the world-renowned, master artists who accepted the challenge have a history of building arts institutions in Watts and the greater Los Angeles community.