Daytime

The Los Angeles Public Library and the Los Angeles County Library cards give you access to many resources, including two amazing online music collections. Freegal features unlimited songs, and Hoopla lets you check out full albums. These two databases have endless amounts of music from the African and African American diaspora to explore, from famous hits to underground sounds.

hoopladigital.com/search?q=African+American+music&scope=everything&type=direct&kindId=6

freegalmusic.com

Michael Jackson’s fashion sense has always been iconic. Our display of original artifacts on loan from the Michael Jackson estate showcases memorable pieces, including beaded jackets Jackson wore during the Jacksons’ 1984 Victory tour. Also featured is our original short film about making Jackson’s Thriller music video.

Sundays & Mondays, Wednesdays – Fridays 11:00 noon – 5:00 p.m.
Saturdays: 10:00 a.m. – 6:00 p.m.

Explore 30 years of music history, from blues, folk, and rock ‘n’ roll to hip-hop and alternative music, through the lens of photographer Jay Blakesberg. Featuring more than 150 photographs shot on film between 1978 and 2008, Retro Blakesberg captures three decades of pivotal moments in music history. The dynamic exhibit showcases multiple genres and iconic musicians, ranging from Snoop Dogg, B-40, and Bob Dylan to PJ Harvey, Pearl Jam, and the Grateful Dead.

Imagining Black Diasporas: 21st-Century Art and Poetics fi nds aesthetic connections among 60 artists working in Africa, Europe, and the Americas. The exhibition and its catalog are among the first to examine nearly a quarter century of production by Black artists. The project debuts new acquisitions for LACMA and expands the Pan-African exhibition canon, historically focused on the Black Atlantic, by showcasing artists working along the Pacific Rim.

Luther Vandross: Artistry and Elegance celebrates the extraordinary life and legacy of Luther Vandross, an eight-time Grammy winner, revered songwriter, arranger, producer, performer, and one of the most gifted vocalists in music history. The exhibit offers an intimate glimpse into Vandross’ creative process and showcases his ornate stage wardrobe, exclusive performance footage from his popular tours, and a never-before-heard recording of him in the studio.

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

The Boyz N the Hood gallery explores the movie’s groundbreaking depiction of Black life in South Central Los Angeles and its lasting impact on popular culture. It spotlights the cast and crew–including Cuba Gooding, Jr., Ice Cube, Morris Chestnut, Laurence Fishburne, Nia Long, and Angela Bassett–showing the pivotal role the film played not only in their careers but also for a new generation of Black talent in Hollywood.

Join Council President Marqueece Harris-Dawson; Mayor Karen Bass; the Los Angeles City Council; and the Department of Cultural Affairs (DCA) to officially celebrate the exhibition installation of the work of Los Angeles photographer, Leroy Hamilton in DCA’s Henry P. Rios Gallery at Los Angeles City Hall on display from Friday, January 31, 2025 to February 26, 2025.

The Story of Us displays Black Angelenos in several dimensions of their lives—at home with family, in the conference room, on the court, in government halls of power, on the mainstage, in the streets, and in places of worship. It captures the fullness of Black life. Mr. Hamilton seeks to restore the humanity behind Black faces that are often misrepresented. Visitors will experience the full spectrum of Black personhood through the lens of a local artist with strategic connections and expansive vision.

The Story of Us is Leroy Hamilton’s exhibit which he hopes will reverberate across the country. By capturing a collection of photos of Black Angelenos, the artist hopes to draw parallels between movement building in Black Los Angeles to national Black movements. Mr. Hamilton hopes to remind visitors that there is a community photographer in every community, and we must recommit ourselves to seeking them out and uplifting their work. The photography exhibit is an ode to Black Los Angeles and all we represent in the past, present, and future–from Crenshaw to the coast, this is The Story of Us.

The exhibition is curated and coordinated by Larry Earl.

Photography Exhibition: January 31, 2025 through February 26, 2025

The exhibition is free to visit and open to the public.

Ribbon Cutting: Friday, February 7, 2025, 9:30 a.m.