Daytime

Port Traits pays tribute to the work of late AGCC Studio Artists Scott Brown and Slobodan Dimitrov. The exhibition features a selection of paintings by Brown and his alias, Butcher John Henry (a collaboration with artist Logan Fox), in addition to black and white film photographs by Dimitrov. With over 25 years of history at the Center, Scott Brown and Slobodan Dimitrov will be remembered for their impact on the San Pedro community.

Scott Brown was a painter, photographer, and storyteller who grew up in Southern California. Scott was an active member of the South Bay arts community, participating regularly in the First Thursday art walk in Downtown San Pedro and other events around San Pedro and Palos Verdes. Brown’s colorful and uniquely stylized paintings captured the people and places in his life around San Pedro and beyond. Paintings by Scott Brown and his collaborative alias, Butcher John Henry, will be on view in Port Traits.

Slobodan Dimitrov was the unofficial photographer of the labor movement in the LA area for the past thirty years, a crucial period in its history. He was born in former Yugoslavia (present-day Serbia) and spent several years in France as a child before emigrating to Los Angeles. He became an AGCC Studio Artist in 1984, and he has spent much of his career documenting the labor movement in addition to San Pedro’s history and local artists. Port Traits will feature several bodies work by Dimitrov from his black and white film photography practice.

Port Traits will be on view in the AGCC galleries March 9th – April 6th, 2024, with open gallery hours Thursdays – Saturdays from 10am to 4pm. The exhibition will open with a free public reception on Saturday, March 9th from 3-5pm.

Support for the AGCC exhibitions program is provided by City of Los Angeles Department of Recreation and Parks, the Los Angeles County Department of Arts and Culture, The Ahmanson Foundation, Norris Foundation, the Perenchio Foundation, and the Ralph M. Parsons Foundation.

About Angels Gate Cultural Center

Angels Gate Cultural Center (AGCC) emerged from a group of San Pedro artists in the 1970s that created art studios and exhibition space within the WWII era army barracks of Angels Gate Park near the Port of Los Angeles. Today, AGCC hosts over 50 artist studios in addition to a variety of programs to engage the diverse communities of the Los Angeles Harbor region, including arts education in local schools, community classes, cultural events, and exhibitions of contemporary art. More information about AGCC is available at angelsgateart.org

The Downtown Santa Monica Farmers Market is widely recognized as one of the largest and most diverse Certified Farmers Markets in the nation. Residents, out-of-town visitors, celebrities, and many of Los Angeles’ best-known chefs and restaurants can be found shopping at this location, which features over 60 California farms.

 

The market is held weekly on Wednesdays and Saturdays from 8:00 a.m. to 1:00 p.m.

This neighborhood market was established in 1992 and features produce from approximately 35 certified California farms, as well as live entertainment, activities and prepared and prepackaged food.  It is a popular site with the local community and draws its customer base from the local Santa Monica and west side communities.

The Pico market is open Saturdays from 8:00am to 1:00pm, rain or shine, and may be closed for selected holidays.

All four markets accept Cal Fresh EBT and WIC-Farmers Market Nutrition Program checks.

The Saturday Pico and Sunday Main Street markets also provide a Market Match program for Cal Fresh EBT customers.  Market Match is California’s healthy food incentive program that matches customers’ CalFresh nutrition assistance benefits at farmers markets.  The Pico Market Match Program (in partnership with Hunger Action Los Angeles) matches up to $20 and the Main Street Market (in partnership with ARP) matches up to $20 for the purchase of fresh fruits and vegetables.

Prior to the colonization of Southern California in the 18th century, Native communities throughout the region deployed controlled fire regimes to ensure the well-being of their local ecosystems. Fire Kinship counters attitudes of fear and illegality around fire, arguing for a return to Native practices in which fire is regarded as a vital aspect of land stewardship, community well-being, and tribal sovereignty. Wednesdays 12:00 noon – 8:00 p.m., Thursdays – Sundays 12:00 noon – 5:00 p.m.

Social Forest: Oaks of Tovaangar is inspired by Joseph Beuys’s influential work 7000 Oaks. In a multifaceted effort, The Broad will present his art, an offsite public reforestation project, and a series of programs connected with the legacy of Joseph Beuys’s art and environmental advocacy. Social Forest: Oaks of Tovaangar encompasses planting 100 native trees, primarily coast live oaks, in Elysian Park in Los Angeles and additional plantings at Kuruvungna Village Springs in West L.A. Reserve tickets at website

In 2019, Lawson answered more than 1,000 questions in his Story File so that future generations can continue conversing with him to learn about his legacy. What would you like to ask Lawson?

Tuesday, Wednesday, Friday, Saturday, Sunday, 11:00 a.m. – 5:00 p.m.,
Thursday, 12:00 noon – 8:00 p.m.
Adults – $16, Seniors and Youth – $9, Members and Children under 5 – Free

The exhibition brings together artists Michael Massenburg, Aiseborn, and Mr. B Baby to explore the intersections of family,
culture, and community. Curated by Guillermo Aviles-Rodriguez, PhD., the works will be on view Wednesday to Saturday, 10:00 a.m. to 4:00 p.m., from April 13 to August 2024, with a reception/artist talk and performance by Nedra Wheeler Trio taking place Sunday, June 9 at 1:00 p.m. Admission is free.

Cover image: Helping Families Grow, by Michael Massenburg, Aiseborn, and Mr. B Baby located at Kaiser Permanente Watts Counseling and Learning Center

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.