In 2019, Lawson answered more than 1,000 questions in his Story File so that future generations can continue conversing with him to learn about his legacy. What would you like to ask Lawson?

Tuesday, Wednesday, Friday, Saturday, Sunday, 11:00 a.m. – 5:00 p.m.,
Thursday, 12:00 noon – 8:00 p.m.
Adults – $16, Seniors and Youth – $9, Members and Children under 5 – Free

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Christmas Holiday display of our finest antiques, Santa Clauses, angels, choir boys, and village scenes that depict Dickens’s Victorian Christmas. Our Christmas tree will be decorated with our collection of antique ornaments and there will be a display of vintage Christmas cards.

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

A Celebration of California Women Who Shift Culture • April 29 – May 4, 2025

The City of Los Angeles Department of Cultural Affairs (DCA) Performing Arts Division’s (PERF) EMPOWERMENT project returns for its third year. Honoring women artists and activists who have impacted and redefined the human experience.  EMPOWERMENT is a six day festival-style week of performances, social action, creative workshops, and documentary screenings. In 2025, EMPOWERMENT will honor the work of Academy Award winner Edith Head and Grammy Award winner Etta James. Both American born and rooted professionally in Los Angeles, Edith Head is considered to be one of the greatest and most influential costume designers in the film industry while Etta James is an American singer songwriter famous for her deep and earthy voice bridged the gap between rhythm and blues and rock and roll is considered to be one of the greatest voices of her century.

The EMPOWERMENT: Edith + Etta celebration will include six days of performing arts celebration for all ages at DCA’s Lankershim Arts Center, located in the heart of the NoHo Arts District at: 5108 Lankershim Boulevard, North Hollywood, CA 91601. All festival events are free and open to the public. For more information, please call: (213) 270-8200.

The Six Day Line-Up:

Edith Head Film Fest

Tuesday, April 29, 8:00 p.m. • All About Eve(1950)
Wednesday, April 30, 8:00 p.m. • The Emperor Waltz (1948)
Friday, May 2, 9:00 p.m. • To Catch a Thief (1955)

Live Music

Thursday, May 1 and Saturday, May 3, 7:30 to 8:00 p.m.
Sunday, May 4, 3:30 to 4:00 p.m.

Sips & Sounds: PopUp Music Coffee House

Friday, May 2, 7:00 to 9:00 p.m.

Youth Activities

Saturday, May 3
2:00 to 2:30 p.m. • Etta James Sing-a-long
2:30 to 4:00 p.m. • Designing a Superhero Costume
4:00 p.m. • Afternoon Animation Association: The Incredibles (2004)

Documentaries with Talk Backs

Saturday, May 3, 12:30 p.m. • ETTA
Sunday, May 4, 2:00 p.m. • EDITH

Live Dance & Spoken Word

Saturday, May 3, 8:00 p.m.
Sunday, May 4, 4:00 p.m.

Learn more about the 2025 Commissioned Artists performing the LIVE DANCE & SPOKEN WORD performances on DCA’s Initiatives page, click here!

On Sunday, May 4, 2025, from 2:00 to 3:30 p.m., join the Los Angeles Municipal Art Gallery (LAMAG) for a community gathering where participants are invited to reflect on what is flourishing in their lives through a collective walk along a labyrinth installation inspired by Danila Cervantes’ spiraling animations and cycles of life and death explored in their work. The experience culminates in an art-making activity where folks will craft personal illustrations on traditional amate paper using a variety of materials to express what they hope to nurture and celebrate in their lives. We hope this experience will leave you with seeds of inspiration and appreciation for what is already present and blooming in your life.

This event is free and open to all ages of the community. Let LAMAG know you’re attending, RSVP here: https://www.eventbrite.com/e/danila-cervantes-floreciendo-juntos-tickets-1320524788189?aff=oddtdtcreator.

Politics, Race and Cartoons: Two Decades of Drawing My Own Conclusions By David G. Brown

Artist Talk: Sunday, June 8, 2025 at 1:00 p.m.

At the Noah Purifoy Galley

Experience visual forms of satire, political cartooning, underscoring its historical use as anti-racist dissent and introspective critique. Taking controversial topics in all of their complexity, humor, and provocation, while raising important questions about the social power of art. Exhibition includes prints by Oliver W. Harrington. The exhibition is curated by Rosie Lee Hooks.

Politics, Race and Cartoons: Two Decades of Drawing My Own Conclusions shows May 4, 2025 through February 21, 2026 

GALLERY HOURS:
Wednesday–Saturday | 10:00 a.m.–4:00 p.m. (closed for lunch 12:30 p.m.–1:30 p.m.)

FOR MORE INFORMATION: Please contact (213) 847-4646 and/or wattstowersartscenter.campus@lacity.org.
FREE PARKING: 10624 Graham Avenue, Los Angeles, CA 90002
ADA: Auxiliary aids and services are available upon request

Christmas Holiday display of our finest antiques, Santa Clauses, angels, choir boys, and village scenes that depict Dickens’s Victorian Christmas. Our Christmas tree will be decorated with our collection of antique ornaments and there will be a display of vintage Christmas cards.