Family Friendly

Christmas Holiday display of our finest antiques, Santa Clauses, angels, choir boys, and village scenes that depict Dickens’s Victorian Christmas. Our Christmas tree will be decorated with our collection of antique ornaments and there will be a display of vintage Christmas cards.

In 2019, Lawson answered more than 1,000 questions in his Story File so that future generations can continue conversing with him to learn about his legacy. What would you like to ask Lawson?

Tuesday, Wednesday, Friday, Saturday, Sunday, 11:00 a.m. – 5:00 p.m.,
Thursday, 12:00 noon – 8:00 p.m.
Adults – $16, Seniors and Youth – $9, Members and Children under 5 – Free

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Christmas Holiday display of our finest antiques, Santa Clauses, angels, choir boys, and village scenes that depict Dickens’s Victorian Christmas. Our Christmas tree will be decorated with our collection of antique ornaments and there will be a display of vintage Christmas cards.

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

Christmas Holiday display of our finest antiques, Santa Clauses, angels, choir boys, and village scenes that depict Dickens’s Victorian Christmas. Our Christmas tree will be decorated with our collection of antique ornaments and there will be a display of vintage Christmas cards.

In 2019, Lawson answered more than 1,000 questions in his Story File so that future generations can continue conversing with him to learn about his legacy. What would you like to ask Lawson?

Tuesday, Wednesday, Friday, Saturday, Sunday, 11:00 a.m. – 5:00 p.m.,
Thursday, 12:00 noon – 8:00 p.m.
Adults – $16, Seniors and Youth – $9, Members and Children under 5 – Free

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

The NEA Big Read: Los Angeles celebrates storytelling, books and readers at the 30th anniversary of the popular Los Angeles Times Festival of Books. The Festival of Books is largest gathering and presentation of all things book-related in the United States. Join book lovers to learn, taste, be inspired, make art, shop and explore on Saturday, April 26, from 10:00 a.m. to 6:00 p.m., and Sunday, April 27, from 10:00 a.m. to 5:00 p.m., on the campus of the University of Southern California (USC).

Stop by the Department of Cultural Affairs (DCA) booth # 721 in the Orange Zone for information about DCA’s cultural resources and citywide services. Booth activities will include drop-in art activities, such as poetry, zine-making, artists demonstrations, and limited edition giveaways, while supplies last.

This event is free and open to the public!

For more information about the DCA booth and/or NEA Big Read: Los Angeles booth at the Festival of Books, call 213-202-5567, or email elizabeth.morin@lacity.org.

For more information about the Festival of Books, visit: events.latimes.com/festivalofbooks/.