Stories of Sugar Hill presented by Friends Of Residential Treasures: Los Angeles

Map and guidebook available for download on February 13, 2024, at 9:00 a.m. for FREE!

Stories of Sugar Hill is a seven-stop self-guided Trail map accompanied by  in-depth research that celebrates the influential legends, icons, and trailblazers of West Adams’ Black history.

This project supports the neighborhood’s efforts in collecting, archiving, and sharing the stories of West Adams by working with residents of the area.

The experience is told through the neighborhood’s historic and unique architecture and is led by narrative accounts and reflections of the residents themselves.

 

The accompanying map and research will be accessible for download on February 13, 2024 at 9:00 a.m. on the FORT website.

Participants can log onto the FORT website and download the material for FREE, and take the self-guided tour at their leisure.

 

On a hot summer night in Texas, Vernita Manifold summons her two daughters down to the bayou with a secret too big to keep. The richest, meanest man in town is dead, and the Manifold women know more than they’re saying. As secrets begin to surface, the bonds between the women, their town, and the legacy of their ancestors all come to a head. Black Cypress Bayou is a hilarious, suspenseful world premiere about loyalty, healing, and comeuppance.  

 

Wednesday through Friday at 8:00 p.m., Saturday at 3:00 p.m. & 8:00 p.m. and Sunday at 2:00 p.m. & 7:00 p.m.

This groundbreaking twist on The Wizard of Oz changed the face of Broadway—from its iconic score packed with soul, gospel, rock, and finger-snapping 70s funk to its stirring tale of Dorothy’s journey to find her place in a contemporary world.  Audiences get to enjoy the epic grooves of such beloved, timeless hits as “Ease on Down the Road,” which became the show’s break-out single, and the bona fide classic “Home” in this spectacular revival.

Tuesdays – Saturdays – 8:00 p.m.

Saturdays – 2:00 p.m.

Sundays – 1:00 p.m., 6:30 p.m.

The exhibition brings together over 100 sacred artworks including carved sculpture, vibrant beadwork, dazzling costumes, and other art forms from Nigeria and Benin and across the Yoruba diaspora of Brazil, Cuba, and the U.S. Together these objects trace continuities and innovations within the religious material culture of the Yoruba Atlantic, a cultural sphere profoundly affected by empire-building, colonialism, the violence of enslavement, international trade networks, and global immigration patterns.