African American Heritage Month

The Los Angeles Public Library and the Los Angeles County Library cards give you access to many resources, including two amazing online music collections. Freegal features unlimited songs, and Hoopla lets you check out full albums. These two databases have endless amounts of music from the African and African American diaspora to explore, from famous hits to underground sounds.

hoopladigital.com/search?q=African+American+music&scope=everything&type=direct&kindId=6

freegalmusic.com

Register at the website for Zoom link.

This in-person workshop will guide you through the Tenant Power Toolkit, an online resource that helps tenants create an answer (a legal response to their case) that raises the defenses they might have against the eviction. All attendees must bring their Summons and Complaint-Unlawful Detainer to the workshop. Tenants can get one-on-one assistance in both English and Spanish.

Special guest Ciji Davis will be our slime guru. You will be able to create gooey amazingness.

An in-depth installation of Jean-Michel Basquiat features all 13 works by the artist in the Broad collection, including three works on view for the first time at The Broad: Santo 2, Deaf, and Wicker.

Tuesdays, Wednesdays & Fridays – 11:00 a.m. – 5:00 p.m., Thursdays – 11:00 a.m. – 8:00 p.m.,
Saturdays and Sundays 10:00 a.m. – 6:00 p.m.

Imagining Black Diasporas: 21st-Century Art and Poetics fi nds aesthetic connections among 60 artists working in Africa, Europe, and the Americas. The exhibition and its catalog are among the first to examine nearly a quarter century of production by Black artists. The project debuts new acquisitions for LACMA and expands the Pan-African exhibition canon, historically focused on the Black Atlantic, by showcasing artists working along the Pacific Rim.

The exhibition Alice Coltrane, Monument Eternal is inspired by the life and legacy of jazz musician, devotional leader, and mother Alice Coltrane. The title takes its name from her book Monument Eternal (1977), which reflected her newfound spiritual beliefs, the loss of her husband, the saxophonist John Coltrane, and the path to healing and self-discovery. The exhibition presents work by contemporary American artists paired with ephemera from Coltrane’s personal archive.

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

This installation features some of the many forms incarceration has taken in the American West over time, in conversation with a new photo series taken in a California state prison by fine art photographer Pep Williams. Located in the jail cell area of the Autry’s firearms galleries, the installation brings past and present into dialogue.

Adults – $14, Students (with current ID) and Seniors (60+) – $10, Children (3–12) – $6

Tuesdays – Fridays 10:00 a.m. – 4:00 p.m., Saturdays – Sundays 10:00 a.m. – 5:00 p.m.

George Washington Carver was a pioneer of plant-based engineering and one of the nation’s earliest proponents of sustainable agriculture. In the early 1900s, he built his “Jesup Wagon,” a moveable school to share soil and plant samples, equipment, and other agricultural knowledge with farmers. Carver’s then-radical ideas—including organic fertilizers, crop rotation, and plant-based medicines, and construction materials—are now recognized as the forerunners of modern conservation.