Daytime

The GRAMMY Museum aims to educate individuals about the history and cultural significance of American music and to inspire the next generation to explore and create new forms of music using the roots that have existed in interactives, and exciting exhibitions.  The Museum accomplishes this through innovative programming, cutting-edge interactives, and exciting exhibitions.

 

Sundays & Mondays, Wednesdays – Fridays 11:00 noon – 5:00 p.m. Saturdays: 10:00 a.m. – 6:00p.m,  Tuesdays – Closed

Surveying twenty-five years of the multi-disciplinary practice of artist Paul Pfeiffer (b. 1966, Honolulu, Hawaii; lives in New York), Paul Pfeiffer: Prologue to the Story of the Birth of Freedom will celebrate a pioneering artist known for his incisive work that interrogates ideas of spectacle, belonging and identity. Inspired by televised sporting events and popular entertainment, Pfeiffer’s work deconstructs our fascination and obsession with celebrity culture, unpacking how collective consciousness is shaped and manipulated through his masterful editing of found footage. In tracing the global trajectory of image circulation, Pfeiffer demonstrates how desire, heroism, and worship operate as part of the mechanisms of art, religion, politics, and nationhood. Bringing together more than thirty works and debuting a new commission, Paul Pfeiffer: Prologue to the Story of the Birth of Freedom is the first retrospective of the artist’s multi-disciplinary practice.

 

Tuesdays, Wednesdays, and Fridays 11:00 a.m. – 5:00 p.m.,
Thursdays 11:00 a.m. – 8:00 p.m.,
Saturdays and Sundays 11:00 a.m. – 6:00 p.m.

The Museum of Latin American Art is pleased to present Alexandre Arrechea: Intersected Horizons, the first solo museum show in California that explores the artistic practices of the well-known and multidisciplinary artist Alexandre Arrechea. A contemporary Afro-Cuban artist based between Spain and the USA for more than two decades and the former co-founder of the Los Carpinteros collective,

 

In this exhibit, Arrechea’s method of transgressing the limits of traditional artifacts and materials as a point of examination is redefined as a social and political exploration that melds art, history, and archaeological forms.

 

Adults – $15 Seniors & Students – $10, Members and Children under 12 Free,
Free Admission every Sunday

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

The Broad is pleased to announce Desire, Knowledge, and Hope (with Smog), an exhibition drawn entirely from the Broad collection, showcasing works by Los Angeles-based artists. Drawing its title from a John Baldessari work, the exhibition includes reflections on L.A. as a city in flux, and on societal issues that extend far beyond it. The show includes the work of 21 artists across varying generations who were raised in the Los Angeles area, or relocated to the city.

 

Tuesdays, Wednesdays & Fridays – 11:00 a.m. – 5:00 p.m.,

Thursdays – 11:00 a.m. – 8:00 p.m.,
Saturdays & Sundays 10:00 a.m. – 6:00 p.m.

Bahia Reverb: Artists and Place presents the work of ten former fellows at the Sacatar Institute in Bahia, Brazil, all from North America and of African descent, to reflect on how Bahia, an epicenter of the African diaspora, has fueled their work and changed their understanding of themselves.

Artists include Gerald Cyrus, Juan Erman Gonzalez, Mark Steven Greenfield, Karen Hampton, Rik Freeman, Francis Tre Lawrence, Germaine Ingram, Sandra Brewster, Precious Lovell, and Tim Whiten.

Bahia Reverb: Artists and Place is organized by the California African American Museum (CAAM) and Art + Practice (A+P). The exhibition is curated by Bia Gayotto, independent curator, artist, and writer. CAAM at A+P is a five-year collaboration.

Come celebrate the 50th anniversary of hip-hop. Our 5,000-square-foot exhibit delves deep into the multifaceted world of hip-hop through expansive exhibits on hip-hop music, dance, graffiti, fashion, business, activism, and history, providing visitors with an immersive experience that explores the profound impact and influence of hip-hop culture. On display will be an incredible array of artifacts including the Notorious B.I.G.’s iconic red leather pea jacket, LL Cool J’s red Kangol bucket hat, and more.

 

Sundays & Mondays, Wednesdays – Fridays 11:00 noon – 5:00 p.m. Saturdays: 10:00 a.m. – 6:00p.m,  Tuesdays – Closed

Glenn Kaino: Aki’s Market is inspired by Akira and Sachiye Shiraishi’s small neighborhood market (1957–1970) in East Los Angeles. Created by artist Glenn Akira Kaino (Akira’s grandson and namesake), the exhibition explores the transgenerational trauma from the World War II Japanese American incarceration experience through the stories of Kaino, his family, and the community. It is also an interrogation of the American practice of displacement—collapsing almost 100 years of cultural subjugation into a spiritual, exploratory space from which the building blocks of peace might be discovered.

The exhibition draws from the life of Kaino’s grandfather, Akira Shiraishi, a legendary high school football player who was unable to realize his dreams of attending Occidental College when he was incarcerated at the Heart Mountain concentration camp in Wyoming. Upon returning to East LA after the war, he and Sachiye dedicated their lives to building their market on the corner of Blanchard Street and Geraghty Avenue—a multicultural anchor that served the Japanese and Hispanic communities.

Kaino only knew his grandfather through family stories. To recreate the market, he pulled from his artistic toolkit and used his skill of unlocking past memories through layered conversations (as in his work with historical figures like Olympian, Tommie Smith). He used this methodology to draw out family memories and paint a full picture of the place they called “The Store.”

Through a virtual reality recreation of the store and an installation of related works, Glenn Kaino: Aki’s Market is an exhibition about collective memory where the archival bleeds into the imaginary and where the most advanced technology serves the most personal past.