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Are you looking for children’s books but don’t know where to start? Let the library surprise your child (and you!) with a beautiful selection of books from Book Bundles To Go. Each Bundle consists of five books based on interest level, theme, or type of book. Every bundle is different! We will choose exciting books for you from our libraries throughout Los Angeles. To receive your personalized Book Bundle To Go, fill out the form on the website.

As the second-largest city in the United States, Los Angeles is home to immigrants from more than 140 countries. New Americans Initiative is working with our community partners to bring important immigration and citizenship information to you. Do you want to make an appointment or have questions? Call us and leave a message in English or Spanish at 213.228.7390. A library staff member will return your call within two days.

 

New Americans Centers are located at the following libraries: Central Library,
Echo Park Branch Library, Junipero Serra Branch Library, Pacoima Branch Library,
Pio Pico – Koreatown Branch Library, Wilmington Branch Library

Sangre de Nopal/Blood of the Nopal is a multi-site project offering an expanded understanding of cochineal’s scientific and Indigenous origins, a red dye developed by the Zapotec people. This multivocal exhibition will center ancestral knowledge and technical experimentation and bring a special focus to issues of immigration and labor justice.

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.