Exhibition

Coming together to partake in a meal is a practice shared by all cultures. Food defines us—we are what we eat. Dining with the Sultan is the first exhibition to present Islamic art in the context of its associated culinary traditions. It will include some 250 works of art related to sourcing, preparing, serving, and consuming food.

Mondays, Tuesdays, Thursdays 11:00 a.m. – 6:00 p.m., Fridays 11:00 a.m. – 8:00 p.m., Saturdays & Sundays 10:00 a.m. – 7:00 p.m.

Adults – $20, Seniors – $16, Members, Students, and Children – Free
Reserve a timed entry ticket online.
General admission is Free after 3:00 p.m. on weekdays

In 2019, Lawson answered more than 1,000 questions in his Story File so that future generations can continue conversing with him to learn about his legacy. What would you like to ask Lawson?

Tuesday, Wednesday, Friday, Saturday, Sunday, 11:00 a.m. – 5:00 p.m.,
Thursday, 12:00 noon – 8:00 p.m.
Adults – $16, Seniors and Youth – $9, Members and Children under 5 – Free

James Tadanao Sata created some of the most adventurous photographs made in America in the 1920s and ’30s. Abstract spheres and triangles, complex arrangements of figures and shadows, and spaces rich with deep and delicate tones emphasized geometric forms and conveyed newness, modernity, and irony. This exhibition comprises sixty photographs by Sata, photographs of Sata’s concentration camp paintings and drawings, and family artifacts from the camp.

Tuesday, Wednesday, Friday, Saturday, Sunday, 11:00 a.m. – 5:00 p.m., Thursday, 12:00 noon – 8:00 p.m.
Adults – $16, Seniors and Youth – $9, Members and Children under 5 – Free

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.

A narration of Chinese immigration to the U.S. with an emphasis on community settlement in Los Angeles. The exhibition is outlined into four distinct time periods, each period defined by a vital immigration law and event, accompanied by a brief description and a short personal story.

This is a recreation of a store housed in the Garnier Building in the 1890s. The Sun Wing Wo store opened in 1891 and remained in this building until 1948. The store was a multi-purpose space that showed how self-sufficient the Chinese were and had to be due to racism and discrimination while also being responsive to the needs of their community. Even though the store predominantly served the Chinese, people from every facet of society also came to purchase Chinese merchandise.