Exhibition

Explore this tranquil Japanese-style garden that blends design elements from four classic garden styles. Cross an arched bridge and walk on shaded paths along a koi-filled stream to the teahouse.

 

General – $15, Seniors 65 and over and Students with ID – $11, Children (5 to 12 years) – $5, Descanso members and children under 5 – Free

Listen to the calming sounds of water and take in the subdued palette of evergreen shrubbery embracing the Koi Pond. The garden features stone lanterns crafted of Okazaki stone over 200 years ago and a bonsai display maintained by the South Coast Bonsai Association.

 

Adults – $15, Seniors 65 and over and Students with ID – $11, Children (5 to 12 years) – $5, Foundation members and children under 4 – Free,

Entry on the third Tuesday of each month – Free.

Advance purchase is required to attend on Saturdays and Sundays.

Stories and Voices from L.A. Chinatown is the first in the series Archive Alive, a new collaboration between The Huntington Library, Art Museum, and Botanical Gardens; the Library Foundation of Los Angeles; and the Los Angeles Public Library. Archive Alive activates historic photographs, documents, and maps drawn from the Huntington’s and LAPL’s vast collections through online exhibitions, site-specific installations and displays, and interviews with community members, whose personal reflections and connections bring the archives to life. You can explore these materials by theme below.

 

You can explore these materials by online or visit the outdoor exhibition in Chinatown at 942 N Hill Street.

The Norton Simon Museum houses a world-renowned collection of South and Southeast Asian art that includes examples of the rich sculptural and painting traditions that developed in this region over more than 2,000 years. To learn more, view the video podcast Learning to Look at Asian Art  https://www.nortonsimon.org/learn/watch-and-listen/videos-podcasts-and-lectures/video-learning-to-look-at-asian-art-at-the-norton-simon-museum-2/

 

Sundays, Mondays, Thursdays, 12:00 noon – 5:00 p.m., Friday and Saturdays, 12:00 noon – 7:00 p.m.

Adults – $20, Seniors – $15, Members, Students and Children – Free

Coming together to partake in a meal is a practice shared by all cultures. Food defines us—we are what we eat. Dining with the Sultan is the first exhibition to present Islamic art in the context of its associated culinary traditions. It will include some 250 works of art related to sourcing, preparing, serving, and consuming food.

 

Mondays, Tuesdays, Thursdays 11:00 a.m. – 6:00 p.m., Fridays 11:00 a.m. – 8:00 p.m., Saturdays & Sundays 10:00 a.m. – 7:00 p.m.

Adults – $20, Seniors – $16, Members, Students, and Children – Free
Reserve a timed entry ticket online.
General admission is Free after 3:00 p.m. on weekdays

Korean Treasures presents 35 artworks recently donated to LACMA by Drs. Chester and Cameron C. Chang (M.D.); The bulk of the Chang family collection has been intact for over a century. This introductory exhibition presents traditional Korean paintings, calligraphic folding screens, mid-20th century oil paintings from both North and South Korea, and ceramics of the Goryeo (918–1392) and Joseon (1392–1897) dynasties. Mondays, Tuesdays, Thursdays 11:00 a.m. – 6:00 p.m., Fridays 11:00 a.m. – 8:00 p.m., Saturdays & Sundays 10:00 a.m. – 7:00 p.m. Adults – $20, Seniors – $16, Members, Students, and Children – Free Reserve a timed entry ticket online. General admission is Free after 3:00 p.m. on weekdays

Mark Bradford’s 150 Portrait Tone, a mural-size composition that contains elements of both abstraction and realism, is based on an idea for a work that the artist conceived after the fatal shooting of Philando Castile by a police officer in Saint Paul, Minnesota, in July 2016. Castile, a nutrition services supervisor at an elementary school, was shot after being pulled over in his car—an incident that was livestreamed on Facebook by Castile’s girlfriend, Diamond Reynolds, who was sitting in the passenger seat next to him.

The painting features excerpts of Reynolds’s dialogue from the video. The title, 150 Portrait Tone, refers to the name and color code of the pink acrylic used throughout the painting. Like the now-obsolete “flesh” crayon in the Crayola 64 box (renamed “peach” in 1962), the color “portrait tone” carries inherent assumptions about who, exactly, is being depicted. In the context of Bradford’s painting, the title presents a sobering commentary on power and representation.